Gurinder Singh Mann

John Stratton Hawley

This basic guide and resource book targets four fields--religious studies, history, world literature, and ethnic or migration studies--in which Sikhism is now receiving greater attention. The authors explain the problems of studying and interpreting Sikhism, and opportunities for integrating Sikh studies into a broader curriculum in each field. They also provide a sense of the Sikh community's own approach to education, and evaluate materials and approaches at the North American university level. Included are a sample syllabus with an explanatory essay, a bibliographical guide, a glossary, and a general bibliography. Gurinder Singh Mann's review of his course on Sikhism is an effective mini-guide to the field as a whole.

Issues for North America

Studying the Sikhs

In this volume the authors present the life stories and works of Ravidas, Kabir, Nanak, Surdas, Mirabai, and Tulsidas - six well-known 'saint-poets' of northern India who have contributed more to the religious vocabulary of Hinduism in the region today than any voices before or since.

Songs of the Saints of India

This basic guide and resource book targets four fieldsÂreligious studies, history, world literature, and ethnic or migration studiesÂin which Sikhism is now receiving greater attention. The authors explain the problems of studying and interpreting Sikhism, and opportunities for integrating Sikh studies into a broader curriculum in each field. They also provide a sense of the Sikh communityÂs own approach to education, and evaluate materials and approaches at the North American university level. Included are a sample syllabus with an explanatory essay, a bibliographical guide, a glossary, and a general bibliography. Gurinder Singh MannÂs review of his course on Sikhism is an effective mini-guide to the field as a whole.

Many call Vrindavan the spiritual capital of India - it's Krishna's eternal playground - but the world is gobbling it up. Delhi's vast sprawl is engulfing the town, the waters of the Yamuna are too polluted to drink or even bathe in, and temples are fast becoming theme parks. One of them will be the world's tallest religious building. This book chronicles Vrindavan's feisty, colorful energy - Hinduism in rapid change. But will the town survive?

Vrindavan in the 21st Century

Krishna's Playground

This is a book about a deeply beloved place—many call it the spiritual capital of India. Located at a dramatic bend in the River Yamuna, a hundred miles from the center of Delhi, Vrindavan is the spot where the god Krishna is believed to have spent his childhood and youth. For Hindus it has always stood for youth writ large—a realm of love and beauty that enables one to retreat from the weight and harshness of the world. Now, though, the world is gobbling up Vrindavan. Delhi’s megalopolitan sprawl inches closer day by day—half the town is a vast real-estate development—and the waters of the Yamuna are too polluted to drink or even bathe in. Temples now style themselves as theme parks, and the world’s tallest religious building is under construction in Krishna’s pastoral paradise. What happens when the Anthropocene Age makes everything virtual? What happens when heaven gets plowed under? Like our age as a whole, Vrindavan throbs with feisty energy, but is it the religious canary in our collective coal mine?

Krishna’s Playground

The essays in this book examine the connection between fundamentalism and gender.

Fundamentalism and Gender

Donna Marie Wulff

Papers presented at a conference held June 1978 at Harvard University, sponsored by the Center for the Study of World Religions.

Rādhā and the Goddesses of India

The Divine Consort

Sūradāsa

John S. Hawley

Poet, Singer, Saint

Sūr Dās

No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than SūrdD=as-or Sūr, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name. This book takes us back to the source, offering a selection of Sūrd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have the memory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity. These lyrics from Sūr's Ocean (the Sūrs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of Sūrd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like Sūrd=as, Hawley also provides a substantial set of analytical notes. "Sūr is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.

Surdas Sings to Krishna

The Memory of Love

No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than S?rdD=as-or S?r, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name. This book takes us back to the source, offering a selection of S?rd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have the memory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity. These lyrics from S?r's Ocean (the S?rs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of S?rd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like S?rd=as, Hawley also provides a substantial set of analytical notes. "S?r is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.

The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before—fascinating, contradictory, powerful.

Goddesses of India

Devi

Sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood.

The Burning of Wives in India

Sati, the Blessing and the Curse

A widely-accepted explanation for India’s national unity is a narrative called the bhakti movement—poet-saints singing bhakti from India’s southern tip to the Himalayas between 600 and 1600. John Hawley shows that this narrative, with its political overtones, was created by the early-twentieth-century circle around Rabindranath Tagore in Bengal.

A Storm of Songs

This book explores a larger family of saints—those celebrated not just by Christianity but by other religious traditions of the world: Muslim, Hindu, Jewish, Buddhist, Confucian, African, and Caribbean. The essays show how saints serve as moral exemplars in the communities that venerate them.

Saints and Virtues

Kimberley Christine Patton

What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.

Weeping in the Religious Imagination

Holy Tears

"Demonstrating the range and complexity of feminine imagery in Hindu tradition, Devi offers to scholars and beginners alike a fascinating and useful anthology."—Elaine Pagels, author Gnostic Gospels "Thought-provoking and new, yet containing a few classics as well, Devi is a most valuable addition to studies of India—society, religion, culture, and art."—Vidya Dehejia, Smithsonian Institution "A wonderfully informative group of essays about the main goddess figures of India. These sometimes dominate the male and sometimes stand alone, and they range from the fertile river Ganga to the awesome Kali, who is transforming herself in the West."—Ninian Smart, University of California, Santa Barbara

The author traces the development of the theme of Krishna as butter thief from its earliest appearance in literature and art until the present. He focuses on the dramas (ras lilas) of Krishna's native Braj and on the Sur Sagar, a collection of verse attributed to the sixteenth-century poet Sur Das that is as familiar to Hindi speakers as Mother Goose is to us. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Krishna, The Butter Thief

The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before--fascinating, contradictory, powerful.

Devī

Several years ago in Rajasthan, an eighteen-year-old woman was burned on her husband's funeral pyre and thus became sati. Before ascending the pyre, she was expected to deliver both blessings and curses: blessings to guard her family and clan for many generations, and curses to prevent anyone from thwarting her desire to die. Sati also means blessing and curse in a broader sense. To those who revere it, sati symbolizes ultimate loyalty and self-sacrifice. It often figures near the core of a Hindu identity that feels embattled in a modern world. Yet to those who deplore it, sati is a curse, a violation of every woman's womanhood. It is murder mystified, and as such, the symbol of precisely what Hinduism should not be. In this volume a group of leading scholars consider the many meanings of sati: in India and the West; in literature, art, and opera; in religion, psychology, economics, and politics. With contributors who are both Indian and American, this is a genuinely binational, postcolonial discussion. Contributors include Karen Brown, Paul Courtright, Vidya Dehejia, Ainslie Embree, Dorothy Figueira, Lindsey Harlan, John Hawley, Robin Lewis, Ashis Nandy, and Veena Talwar Oldenburg.

John Stratton Hawley

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