John Strausbaugh

From its origins as a frontier of New Amsterdam in the 1600s to its current status as an affluent community and tourist magnet, reveals how Greenwich Village became the pinnacle of culture, politics, and social movements in America.

400 Years of Beats and Bohemians, Radicals and Rogues, a History of Greenwich Village

The Village

In a single definitive narrative, CITY OF SEDITION tells the spellbinding story of the huge-and hugely conflicted-role New York City played in the Civil War. No city was more of a help to Abraham Lincoln and the Union war effort, or more of a hindrance. No city raised more men, money, and materiel for the war, and no city raised more hell against it. It was a city of patriots, war heroes, and abolitionists, but simultaneously a city of antiwar protest, draft resistance, and sedition. Without his New York supporters, it's highly unlikely Lincoln would have made it to the White House. Yet, because of the city's vital and intimate business ties to the Cotton South, the majority of New Yorkers never voted for him and were openly hostile to him and his politics. Throughout the war New York City was a nest of antiwar "Copperheads" and a haven for deserters and draft dodgers. New Yorkers would react to Lincoln's wartime policies with the deadliest rioting in American history. The city's political leaders would create a bureaucracy solely devoted to helping New Yorkers evade service in Lincoln's army. Rampant war profiteering would create an entirely new class of New York millionaires, the "shoddy aristocracy." New York newspapers would be among the most vilely racist and vehemently antiwar in the country. Some editors would call on their readers to revolt and commit treason; a few New Yorkers would answer that call. They would assist Confederate terrorists in an attempt to burn their own city down, and collude with Lincoln's assassin. Here in CITY OF SEDITION, a gallery of fascinating New Yorkers comes to life, the likes of Horace Greeley, Walt Whitman, Julia Ward Howe, Boss Tweed, Thomas Nast, Matthew Brady, and Herman Melville. This book follows the fortunes of these figures and chronicles how many New Yorkers seized the opportunities the conflict presented to amass capital, create new industries, and expand their markets, laying the foundation for the city's-and the nation's-growth.

The History of New York City during the Civil War

City of Sedition

 A witty, deeply researched history of the surprisingly ramshackle Soviet space program, and how its success was more spin than science.

In the wake of World War II, with America ascendant and the Soviet Union devastated by the conflict, the Space Race should have been over before it started. But the underdog Soviets scored a series of victories--starting with the 1957 launch of Sputnik and continuing in the years following--that seemed to achieve the impossible. It was proof, it seemed, that the USSR had manpower and collective will that went beyond America's material advantages. They had asserted themselves as a world power.

But in The Wrong Stuff, John Strausbaugh tells a different story. These achievements were amazing, yes, but they were also PR victories as much as scientific ones. The world saw a Potemkin spaceport; the internal facts were much sloppier, less impressive, more dysfunctional. The Soviet supply chain was a disaster, and many of its machines barely worked. The cosmonauts aboard its iconic launch of the Vostok 1 rocket had to go on a special diet, and take off their space suits, just to fit inside without causing a failure. Soviet scientists, under intense government pressure, had essentially made their rocket out of spit and band aids, and hurried to hide their work as soon as their worldwide demonstration was complete.

With a witty eye for detail and a gift for storytelling, John Strausbaugh takes us behind the Iron Curtain, and shows just how little there was to find there.

How the Soviet Space Program Crashed and Burned

The Wrong Stuff

From John Strausbaugh, author of City of Sedition and The Village, comes the definitive history of Gotham during the World War II era. New York City during World War II wasn't just a place of servicemen, politicians, heroes, G.I. Joes and Rosie the Riveters, but also of quislings and saboteurs; of Nazi, Fascist, and Communist sympathizers; of war protesters and conscientious objectors; of gangsters and hookers and profiteers; of latchkey kids and bobby-soxers, poets and painters, atomic scientists and atomic spies. While the war launched and leveled nations, spurred economic growth, and saw the rise and fall of global Fascism, New York City would eventually emerge as the new capital of the world. From the Gilded Age to VJ-Day, an array of fascinating New Yorkers rose to fame, from Mayor Fiorello La Guardia to Franklin and Eleanor Roosevelt, Langston Hughes to Joe Louis, to Robert Moses and Joe DiMaggio. In BOOM TOWN, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing readers with a groundbreaking new look into the greatest city on earth during the most transformative -- and costliest -- war in human history.

A History of New York and New Yorkers during World War II

Victory City

A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.

Blackface, Whiteface, Insult & Imitation in American Popular Culture

Black Like You

Cultural commentator John Strausbaugh's The Village is the first complete history of Greenwich Village, the prodigiously influential and infamous New York City neighborhood. From the Dutch settlers and Washington Square patricians, to the Triangle Shirtwaist fire and Prohibition-era speakeasies; from Abstract Expressionism and beatniks, to Stonewall and AIDS, the connecting narratives of The Village tell the story of America itself. Illustrated with historic black-and-white photographs, The Village features lively, well-researched profiles of many of the people who made Greenwich Village famous, including Thomas Paine, Walt Whitman, Edna St. Vincent Millay, Mark Twain, Margaret Sanger, Eugene O’Neill, Marcel Duchamp, Upton Sinclair, Willa Cather, Jack Kerouac, Allen Ginsberg, Jackson Pollock, Anais Nin, Edward Albee, Charlie Parker, W. H. Auden, Woody Guthrie, James Baldwin, Maurice Sendak, E. E. Cummings, and Bob Dylan.

"Strausbaugh leaves no sacred cow untipped. He is as nonpartisan as he straight shooting taking equal aim at Democrats and Republicans, gays and straights, PETA fanatics, and the Christian right. But all is not lost. Sissy Nation offers "modest proposals" for getting back the gumption that made this culture great."--Jacket.

How America Became a Culture of Wimps & Stoopits

Sissy Nation

Darryl Strawberry

"Darryl has written a profound book on the meaning of celebrity, sports and manhood . . . a riveting and memorable account." — David Cone Former New York Met and Yankee slugger Darryl Strawberry has subtitled his autobiography Straw, "Finding My Way"—and his path was never easy. A National League Rookie of the Year, eight-time MLB All Star, and four-time World Series Champion, Strawberry's baseball achievements were often overshadowed by his struggles off the field. In Straw, he tells it all: his boyhood in Crenshaw, Los Angeles; his rise to baseball superstardom; the high life and low life; his brushes with the law; his triumphant battle over cancer; his religious awakening, and his marriage to the love of his life. " Straw is the story of a guy who had two strikes against him in the middle innings of life and hit one out of the park." — Reggie Jackson " Straw [has] the virtue of sincerity and of seeming profoundly felt. Its narrator emerges as a real and complex man: humble in the face of his failures, palpably hungry for redemption, and yet still capable of myopia and self-righteousness. You feel for him in a way you never did—at least I never did—when you were merely cheering and/or booing him at Shea." — The New York Times "If you're looking for an interesting book about a chaotically interesting life, Straw makes for good reading." — St. Louis Post-Dispatch

Finding My Way

Straw

Reflections on the Birth of the Elvis Faith This hip, anthropological exploration asserts that Elvis Presley - "E" to his friends - is the greatest figure in contemporary popular culture and a modern pagan god whose cult following is on its way to becoming a full-fledged "Church of Elvis.

Reflections on the Birth of the Elvis Faith

A polemic against corporate rock bands, magazines, and festivals, and anyone or anything else who commodifies rebellion.

The Decline from Rebellion to Nostalgia

Rock 'Til You Drop

From John Strausbaugh, author of City of Sedition and The Village, comes the definitive history of Gotham during the World War II era. New York City during World War II wasn't just a place of servicemen, politicians, heroes, G.I. Joes and Rosie the Riveters, but also of quislings and saboteurs; of Nazi, Fascist, and Communist sympathizers; of war protesters and conscientious objectors; of gangsters and hookers and profiteers; of latchkey kids and bobby-soxers, poets and painters, atomic scientists and atomic spies. While the war launched and leveled nations, spurred economic growth, and saw the rise and fall of global Fascism, New York City would eventually emerge as the new capital of the world. From the Gilded Age to VJ-Day, an array of fascinating New Yorkers rose to fame, from Mayor Fiorello La Guardia to Franklin and Eleanor Roosevelt, Langston Hughes to Joe Louis, to Robert Moses and Joe DiMaggio. In Victory City, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing readers with a groundbreaking new look into the greatest city on earth during the most transformative -- and costliest -- war in human history.

Argues that "rock is youth music" and should not be played by aging rock stars who keep singing their old hits well into their fifties.

John Strausbaugh

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