John Walton

"John Walton never writes predictable books, and Monterey, California, is not a predictable place; the pairing is perfect. Although rooted in Monterey, this book explores how people in general construct historical narratives. Storied Land is as thought-provoking a discussion of public history and what it means to tell stories about the past as anything that I have read."—Richard White, author of Remembering Ahanagran: A History of Stories "With deep research, shrewd analysis, and vivid writing, John Walton reveals how we live in a web of competing stories that connect future and present to a contested past. In recovering the particular riches of Monterey's literally storied past, Walton finds universal experiences of labor, resistance, loss, and silencing. His own masterful storytelling lets us develop a fuller, more humane tie to the people of our past."—Alan Taylor, author of the Pulitzer Prize-winning William Cooper's Town: Power and Persuasion on the Frontier of the Early American Republic "In the borderlands between archived event and public memory, John Walton has found a pathway to understanding the process whereby a community remembers, forgets, denies, affirms, or otherwise structures or re-structures its understanding of itself. Excavating a region and a city important to Native American, Spanish, Mexican, and American California, A Storied Land makes a welcomed contribution to California studies and the larger history and sociology of place."—Kevin Starr, author of Inventing the Dream: California Through the Progressive Era "Once again, John Walton has turned the facts about California into a compelling narrative and a profound meditation on the nature of history and collective memory."—Howard Becker, author of Art Worlds

Community and Memory in Monterey

Storied Land

Harold Brighouse

Comedy in Three Acts

The Starlight Window

Owen Booth

The military engagements and campaigns of World War II are emblazoned on mankind’s memory: from the Blitzkrieg attacks that smashed the Polish army in 27 days, and conquered Norway in a day, through the savage and sustained fighting of Operation Barbarossa on the Eastern Front, to the dropping of the atomic bomb on Hiroshima and Nagasaki. The previously unknown level of destruction made possible by Robert Oppenheimer’s scientific breakthrough brought the war to an end, and in its wake came the full revelation of the horror of the Holocaust. With the aid of 300 black-and-white and colour photographs, The Illustrated History of World War II tells the full story of the war and the individuals who led it – Hitler, Stalin, Churchill, Roosevelt, Eisenhower, Mussolini, Togo, Rommel, Montgomery and De Gaulle, among many others. In addition, the book examines life beyond the frontline: the Holocaust, living under occupation, refugees, the Blitz and evacuations, the changing role for women, and food. Full-colour maps complement the lively text and pictures, leading the reader through many of the principal engagements on land, sea and air.

The Illustrated History of World War II

"Walton first uses his magnifying glass to capture images of struggle in a California valley during a century and a half of transformation, then inverts it to scrutinize the American state, popular politics, and collective action in general. The maneuver is bold, the outcome stimulating."—Charles Tilly, New School for Social Research "A passionate and first rate historical adventure. The plot is as intricate, fascinating, and full of intrigue and detail as a Dickens or a Tolstoy novel."—John Nichols, author of The Milagro Beanfield War

State, Culture, and Rebellion in California

Western Times and Water Wars

Six Reformers: William Wilberforce, Sir Robert Peel, Elizabeth Fry, Lord Shaftesbury

Alejandro Portes

Labor, Class, and the International System explores the interface between the labor process, class structure, and the global requirements of accumulation as a necessary complement to the analysis of capital and dominant institutions and focus on this interaction to clarify some of the apparent contradictions and bring the general models in line with empirical reality. The book provides analysis of concepts and hypotheses derived from general theory with available empirical knowledge on each particular topic. Each chapter addresses problem areas namely, international migration; pre-capitalist modes of production and the reproduction of the urban labor force; and dominant ideologies of inequality and class structure. Sociologists, political scientists, economists, researchers, and students of international studies will find the book very interesting and insightful.

Labor, Class, and the International System

The Border

Private detectives and detective agencies played a major role in American history from 1870 to 1940. Pinkerton, Burns, Thiels, and the smaller independents were a multi-million dollar industry, hired out by many if not most American corporations, who needed services of surveillance, strike breaking, and labor espionage. Not only is John Walton's account the first sustained history of this industry, it is also the first book to trace the ways in which the private detective came to occupy a cherished place in popular imagination. Walton paints lively portraits of these mythical figures from Sherlock Holmes, the brilliant eccentric, to Sam Spade, the hard-boiled hero of Dashiell Hammett's best-selling tales. There's a great question lurking in here: how did pulp magazine editors shape the image of the hard-boiled private eye, and what sorts of interplay obtained between the actual records (agency files, memoirs) of these motley individuals in real life and the legend of the private detective in mass-market fiction? This history of the private eyes and this account of how the detective industry and the culture industry played off of each other is a first. Walton show us, in clean clear outline, the figure of the classical private eye, and he shows us further how the memory of this iconic figure was sustained in fiction, radio, film, literary societies, product promotions, adolescent entertainments, and a subculture of detective enthusiasts.

John Walton

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