Jean Fornasiero

John West-Sooby

Rolls Alistair

The Poems and Short Stories of Boris Vian

If I Say If

Lindl Lawton

Nicolas Baudin's Voyagers 1800-1804

Art of Science

Images of the City in Nineteenth-century France

Alistair Rolls

Marie-Laure Vuaille-Barcan

This book explores the intersection of a number of academic areas of study that are all, individually, of growing importance: translation studies, crime fiction and world literature. The scholars included here are leaders in one or more of these areas. The frame of this volume is imagological; its focus is on the ways in which national allegories are constructed and deconstructed, encompassing descriptions of national characteristics as they play out at the level of the local or the individual as well as broader, political analyses. Its corpus, crime fiction, is shown to be a privileged site for writing the national narrative, and often in ways that are more complex and dynamic than is suggested by the genre’s much-cited role as vehicle for a new realism. Finally, these two areas are problematised through the lens of translation, which is a crucial player in both the development of crime fiction and the formation, rather than simply the interlingual transfer, of national allegory. In this volume national allegories, and the crime novels in which they emerge, are shown to be eminently versatile, foundationally plural texts that promote critical rewriting as opposed to sites for fixing meaning. This book was originally published as a special issue of The Translator.

The Case of Crime Fiction

Translating National Allegories

"Utopian imaginings undoubtedly satisfy a desire for fantasy and escape. At the same time, however, they are generally anchored in the real world, whose shortcomings they criticise, implicity or explicity, and for which they purport to offer solutions. The creation of perfect imaginary worlds therefore serves as a means of acting on the imperfect present. This is a particular feature of French utopian writing, whose rich tradition continues to grow, inspiring authors from all parts of the Francophone world. As the essays in this volume demonstrate, the utopian - and dystopian - imaginings which constitute that tradition find expression through all genres and modes of creation. What they have in common, though, is a dissatisfaction with contemporary society and a determination to explore possibilities for a better life."--BOOK JACKET.

French and Francophone Utopias/dystopias

Nowhere is Perfect

Peter Monteath

Encountering Terra Australis traces the parallel lives and voyages of the explorers Flinders and Baudin, as they travelled to Australia and explored the coastline of mainland Australia and Tasmania. Unusually, the book takes its lead from the voyages of Baudin, rather than Flinders, providing a rather different interpretation than those presently circulating. Furthermore the authors have worked using their own totally fresh translation of Baudin's journals, sourcing original accounts including material which has never before been available in English. Extensively illustrated in colour and black and white. Jean Fornasiero teaches French in the Centre for European Studies at Adelaide University, John West-Sooby is head of the centre and Peter Monteath is head of history at Flinders University.

The Australian Voyages of Nicolas Baudin and Matthew Flinders

Encountering Terra Australis

Boris Vian is a rare phenomenon. Nothing short of a national treasure in France, he is hardly known overseas. In his lifetime, he divided literary opinion with masterpieces that failed to sell and best sellers that caused outrage, trials and even deaths, including his own. As an impresario, he became the figurehead of the jazz scene that marked the French left bank at the end of the Second World War and was responsible for bringing Duke Ellington and Miles Davis to France. As a musician, he played his trumpet against the advice of cardiologists, sang pacifist songs before audiences of outraged patriots and, in passing, created French rock ‘n’ roll. Posthumously, he became known for his theatre, film scripts and poetry as well as for his novels. And in May ’68 he became a revolutionary icon.

John West-Sooby

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