Jonathan D. Culler

Professor of English Jonathan Culler

JONATHAN AUTOR CULLER

With an emphasis on readers and reading, the author considers deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. As a result, this book is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relation between his philosophical writings and the work of literary critics.

Theory and Criticism After Structuralism

On Deconstruction

Jonathan Culler

What is Literary Theory? Is there a relationship between literature and culture? In fact, what is Literature, and does it matter? These are the sorts of questions addressed by Jonathan Culler in a book which steers a clear path through a subject often perceived to be complex and impenetrable. It offers discerning insights into theories about the nature of language and meaning, whether literature is a form of self-expression ora method of appeal to an audience, and outlines the ideas behind a number of different schools: deconstruction, semiotics, postcolonial theory, and structuralism amongst them.

A Very Short Introduction

Literary Theory

Culler's most famous work, Structuralist Poetics has never been out of print since first publication in 1975, selling over 20,000 copies. It introduced a new way of studying literature by attempting to create a systematic account of the structure of literary works, rather than studying the meaning of the work. Culler's new preface answers some of the criticisms levelled at his approach and details how it is still as relevant today as when it was first published.

Structuralism, Linguistics and the Study of Literature

Structuralist Poetics

Structuralism, Linguistics, and the Study of Literature

Ferdinand de Saussure

Jiří Bareš

Krátký úvod do literární teorie

A work of technical skill as well as outstanding literary merit, Structuralist Poetics was awarded the 1975 James Russell Lowell Prize of the Modern Language Association. It was during the writing of this book that Culler developed his now famous and remarkably complex theory of poetics and narrative, and while never a populariser he nonetheless makes it crystal clear within these pages. The book itself combines a survey of structuralist literary criticism with a discussion about how English and American criticism might benefit from its lessons. Now reissued as a Routledge Classic with a brand.

Culler (English and comparative literature, Cornell) begins with an historical overview of the relationship between criticism and the academy and explores what has come to characterize contemporary theory. Annotation copyrighted by Book News, Inc., Portland, OR

Criticism and Its Institutions

Framing the Sign

The Uses of Uncertainty

Flaubert

Combining biographical material with an overview of Barthes's work, this is a clear and concise guide to his life and writings.

Roland Barthes

Roland Barthes was the leading figure of French Structuralism, the theoretical movement of the 1960s which revolutionized the study of literature and culture, as well as history and psychoanalysis. But Barthes was a man who disliked orthodoxies. His shifting positions and theoretical interests make him hard to grasp and assess. This book surveys Barthes' work in clear, accessible prose, highlighting what is most interesting and important in his work today. In particular, the book describes the many projects, which Barthes explored and which helped to change the way we think about a range of cultural phenomena--from literature, fashion, wrestling, and advertising to notions of the self, of history, and of nature.

Barthes

una breve introduzione

Teoria della letteratura

Kevin Lamb

Is academic writing, particularly in the disciplines of literary theory and cultural studies, needlessly obscure? The claim has been widely circulated in the media and subject to passionate debate, but it has not been the subject of serious discussion. Just Being Difficult? provides learned and thoughtful analyses of the claim, of those it targets, and of the entire question of how critical writing relates to its intended publics and to audiences beyond them. In this book, a range of distinguished scholars, including some who have been charged with willful obscurity, argue for the interest and importance of some of the procedures that critics have preferred to charge with obscurity rather than confront in another way. The debate on difficult writing hovers on the edges of all academic writing that seeks to play a role in the public arena. This collection is a much-needed contribution to the discussion.

Academic Writing in the Public Arena

Just Being Difficult?

This work explores the role of the literary in theory, with wide-ranging analysis of key concepts and disciplinary practices.

Jonathan D. Culler

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