William Peter van den Bercken

Jonathan Sutton

This volume contains selected papers presented at a conference on Orthodox Christianity and its contemporary European setting. The conference was held in England, at the University of Leeds, in June 2001 and drew together historians, theologians, philosophers, specialists in theological education and political scientists. Countries with an Orthodox Christian history were well represented, as well as Orthodoxy in the diaspora and other Christian confessions by representatives from Western Europe and the United States and Canada. The coherence of Orthodox Christianity and contemporary threats to its coherence formed one main strand for reflection, but discussion also broadened out to consider the nature of religious tradition as such. Part I of the collection brings together papers on such matters as identity, nationalism, globalization, human rights discourse, ecumenical dialogue and competing interpretations of what it means to be European. Part II focuses on Orthodox Christianity in Russia and Part III on the traditionally Orthodox countries of Armenia, Bulgaria, Greece, Romania, Serbia and Ukraine. The present collection is meant as a contribution to further reflection on Orthodox identity, and relationship between Christianity and culture in Europe at the beginning of the twenty-first century.

Selected Papers of the International Conference Held at the University of Leeds, England, in June 2001

Orthodox Christianity and Contemporary Europe

This volume contains selected papers of a conference in 2004 at Utrecht University on aesthetics as a religious factor in Eastern and Western Christianity. They discuss the role of aesthetics in the presentation and expression of Christian faith in Catholic and Orthodox tradition. During its history Christianity has produced many works of art: church architecture, iconography, painting, music and literary texts. And in Orthodoxy beauty has always been the main form of religious expression, more than verbal presentation of Christian teaching, which is embedded in the aesthetic context of liturgy. In Christian theology beauty has often been seen as a form of divine revelation, related to the mystery of incarnation. The relation between aesthetics and religious belief has acquired new relevance in our secularised world. Today the visible products of Catholic and Orthodox aesthetics are for many people the main means through which they come into contact with Christianity and many people without affinity to religion are attracted by the beauty of Christian art, inside and outside the church. In modern religious studies the experience of beauty is recognised as a factor in explaining religious feelings. The papers are divided in four sections: 1. Comparative aspects of Orthodox and Catholic aesthetics, 2. Religious aesthetics in Russian literary culture, 3. Applied aesthetics in church art, 4. Art-theoretical, ideological and religious-philosophical aspects.

Jonathan Sutton

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