Jordan Tannahill

A propulsive literary page-turner about a family torn apart by a mother’s obsession with a sound that no one else can hear One night, while lying in bed next to her husband, Claire Devon suddenly hears a low hum. This innocuous sound, which no one else in the house can hear, has no obvious source or medical cause, but it begins to upset the balance of Claire’s life. When she discovers that one of her students can also hear the hum, the two strike up an unlikely and intimate friendship. Finding themselves increasingly isolated from their families and colleagues, they fall in with a disparate group of people who also perceive the sound. What starts out as a kind of neighbourhood self-help group gradually transforms into something much more extreme, with far-reaching, devastating consequences. The Listeners is an electrifying novel that treads the thresholds of faith, conspiracy and mania. Compelling and exhilarating, it forces us to consider how strongly we hold on to what we perceive, and the way different views can tear a family apart.

A Novel

The Listeners

Botticelli in the Fire imagines the famed painter of The Birth of Venus, Sandro Botticelli, as an irrepressible seeker of love and pleasure caught between the powerful Medici family, the firebrand teachings of a zealot friar, and his young lover, Leonardo da Vinci. Entangled in sexual and political brinkmanship, Botticelli must choose between art and survival. In Sunday in Sodom, Lot's wife Edith tells of the Biblical destruction of Sodom and Gomorrah, but set in the present day. American troops obliterate her surroundings with drone strikes and villagers turn against each other, but Edith's still focused on protecting her family, finally giving an answer as to why, when told to run and never look back, she looked back.

& Sunday in Sodom

Botticelli in the Fire

Liminal

Listeners

Mientras está durmiendo en la cama junto a su esposo una noche, Claire Devon escucha un zumbido bajo que no puede detectar. Y, al parecer, nadie más puede. Este ruido inocuo comienza a causarle dolores de cabeza, hemorragias nasales, insomnio, al molestar gradualmente el equilibrio de su vida, aunque no se puede encontrar ninguna fuente o causa médica obvia. Cuando Claire descubre que un estudiante suyo también puede escuchar el zumbido, ella y el chico entablan una amistad improbable e íntima. Al encontrarse cada vez más aislados de sus familias y colegas, se encuentran con un grupo dispar de vecinos que también pueden percibir el sonido. Lo que comienza como un grupo de autoayuda del vecindario se transforma gradualmente en algo mucho más extremo y con consecuencias devastadoras y de gran alcance para todos ellos. Los que oyen es una novela apasionante y emocionante que explora la atracción seductora de lo desconocido, el surgimiento de la cultura de la conspiración en línea y el deseo de comunidad y conexión en estos tiempos cada vez más polarizados.

Los que oyen

In Search of Vital Drama

Theatre of the Unimpressed

A new play from the winner of the 2014 Governor General's Literary Award for Drama.

A Play

Concord Floral

Simon Longman

Leo Butler

Ed Harris

Lisa McGee

Shamser Sinha

Alison Carr

Jon Brittain

Molly Taylor

Avaes Mohammad

National Theatre Connections 2023 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities. The plays offer young performers an engaging and diverse range of material to perform, read or study. Touching on themes like climate change, politics, toxic masculinity and gang culture, the collection provides topical, pressing subject matter for students to explore in their performance. This 2023 anthology represents the full set of ten plays offered by the National Theatre 2023 Festival, as well as comprehensive workshop notes that give insights and inspiration for building characters, running rehearsals and staging a production.

10 Plays for Young Performers

National Theatre Connections 2023

This is a pressed bruise. This is Greta Garbo's smile. This is the smell of Windex. Declarations is an imperfect chronicle of a life lived; a body pulled through time, encountering meteorological phenomenon, mythology, political calamity, pop culture, and everyday happenstance along the way. Written in the wake of his mother's terminal cancer diagnosis, Tannahill's Declarations is a staggering archive of sensations, memories, and voices asserting that here lived, for a time, a woman. Jordan Tannahill is an Ottawa-born, London UK–based playwright and filmmaker. His work has been presented at major theaters and festivals across Canada and internationally.

Declarations

How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)

From award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be. At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself. From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.

_x000D_ _x000D_ Le 21 janvier 2017 à 11h04, la mère malade de Jordan n’est toujours pas réveillée. Il ouvre la porte de sa chambre pour vérifier si tout va bien. Son regard s’ajuste sur la forme allongée dans le lit. Monica vit-elle encore ? Liminal tient dans cette seule seconde. Toute la vie revient alors en une bouffée de souvenirs, une plongée immense dans un seul mystère : être un corps. Qu’est-ce qu’un corps ? Quelles en sont les limites ? Des androïdes aux sex clubs, de l’extase mystique de Sainte Thérèse d’Avila à la castration d’une performeuse queer, au carrefour de l’autofiction, de la saga milléniale et de la pop philosophie, le récit s’organise en une prodigieuse odyssée personnelle peuplée d’artistes, de scientifiques et de marginaux magnifiques._x000D_ _x000D_ _x000D_ _x000D_ Traduit de l’anglais par Mélissa Verreault_x000D_

Le 21 janvier 2017 à 11h04, la mère malade de Jordan n'est toujours pas réveillée. Il ouvre la porte de sa chambre pour vérifier si tout va bien. Son regard s'ajuste sur la forme allongée dans le lit. Vit-elle encore ? Liminal tient dans cette seule seconde. Toute la vie revient alors en une bouffée de souvenirs, une plongée immense dans un seul mystère : être un corps. Qu'est-ce qu'un corps ? Quelles en sont les limites ? Des androïdes aux sex clubs, de l'extase mystique de Sainte Thérèse d'Avila à la castration d'une performeuse queer, au carrefour de l'autofiction, de la saga milléniale et de la pop philosophie, le récit s'organise en une prodigieuse odyssée personnelle peuplée d'artistes, de scientifiques et de marginaux magnifiques

A deeply personal new play by Jordan Tannahill about mortality and the fragments that constitute a life.This is a pressed bruise. This is Greta Garbo's smile. This is the smell of Windex. Declarations, by acclaimed playwright Jordan Tannahill, is an ode to mortality - that of the playwright's mother, his own, humankind's - a joyful and moving attempt to capture the objects, sensations, and experiences that make up a life. Through a lyrical and iterative text, five performers chronicle a life pulled through time, encountering meteorological phenomena, mythology, political calamity, pop culture, and everyday happenstance along the way. What accumulates is a staggering archive of images, sense memories, and voices asserting that here lived, for a time, a woman.

When you wake up in a cold sweat at night and you think someone is watching you, well it's me. I'm watching you. And that cold sweat on your body, those are my tears. When the Shaun-Hastings sit down to dinner with the Dermots, closure is on the menu but recrimination becomes the main course. As their good intentions are stripped away, both couples' culpability in a tragedy is laid bare. At a dinner party where grief is the loudest guest, Late Company asks the question: How well can a parent ever know their child? Jordan Tannahill's Late Company received its European premiere at the Finborough Theatre, London, in April 2017 and transferred to the Trafalgar Studios, London, in August of the same year.

Jordan Tannahill

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