John Ehrenberg

J. Patrice McSherry

José Ramón Sánchez

Caroleen Marji Sayej

The Iraq Papers will be the most comprehensive and best-organized document collection of America's misadventure in Iraq. The editors have organized the book around the concept of pre-emption, a policy that represented a significant break with past American foreign policy. The editors locatethe intellectual origins of pre-emption in neoconservative writings from the early 1990s, and then trace how the logic of pre-emption played out across a number of arenas in the first decade of the twenty first century: the war itself, America's relationship with its allies and the UN, its dealingswith Iraqi society and successive Iraqi governments after 2003, and domestic policy in the Bush-era United States. They close with a chapter on the limits of American policy as it moves into the Obama era. There are eleven chapters in total, and ten will feature a representative selection of themost important documents relating to the origins of the war - including prominent writings by early neoconservative advocates for invasion - and the war's impact on Iraq, America, and the world. Covering more than a decade, The Iraq Papers will be a definitive source for anyone interested inunderstanding this enormously complicated and difficult conflict.

The Iraq Papers

The freedom to write is under threat today throughout the world, with more than 1,000 writers, journalists, and publishers known to be imprisoned or persecuted in more than 100 countries. Writers Under Siege bears witness to the power and danger of the pen, and to the powerful longing for the right to use it without fear. Collected here are fifty contributions by writers who have paid dearly for the privilege of writing. Some have been tortured; some have been killed. All understand the cost of speaking up and speaking out. This book was prepared by PEN, which is both the world’s oldest human rights organization and the oldest international literary organization. It commemorates PEN’s eighty-fifth anniversary and celebrates PEN’s work by giving voice to persecuted writers from around the globe. The contributors come from more than twenty countries, from Belarus to Zimbabwe. Many are well-known in the English-speaking world, including Orhan Pamuk, from Turkey, winner of the 2006 Nobel Prize for Literature; Harold Pinter, from England, winner of the 2005 Nobel Prize for Literature; Aung San Suu Kyi, from Burma, winner of the 1991 Nobel Peace Prize; and Anna Politkovskaya, from Russia, the noted journalist and author who was murdered in 2006, shortly after writing the piece that appears in this collection. Other contributors are less famous, perhaps, but their contributions are no less compelling. In prose and poetry, in fiction and non-fiction, they reveal the personal consequences of war, conflict, terrorism, and authoritarianism. While the pieces collected here differ in their settings and their subjects, all are riveting. Grouped into four sections — Prison, Death, Asylum, and The Freedom to Write — they call our attention to the fundamental humanity we share and highlight the inhumanity we can so easily condone. Contributors include: Chris Abani, Angel Cuadra Landrove, Asiye Guzel, Augusto Ernesto Llosa Giraldo, Mamadali Makhmudov, Orhan Pamuk, Harold Pinter, Anna Politkovskaya, Aung San Suu Kyi, Thich Tue Sy, Gai Tho, and Ken Saro-Wiwa.

A Political History of Puerto Ricans in the United States

Boricua Power

Ramón Sánchez Ramón

Sánchez, José Ram--n

Jos Snchez offers a fresh new way of thinking about Puerto Rican politics. Guided by a dynamic and suggestive concept of political power, the author navigates his way deftly through the thickets of volatile debates and controversy in tracking a century-long history of radical class and ethnic speaking-truth-to-power in the Latino vein. Taking us back to the cigar worker strikes before the 1920s, the story of Boricua Power goes on to probe the political scene in the post-World War II era, and then sheds new light on the Young Lords Party and the exciting political watershed of the Sixties and Seventies in New York City. To sidestep the pitfalls of blame-the-victim pathologizing on the one hand, and wishful triumphalism on the other, Snchezs metaphor of the play of power as dance is fun, convincing, and thoroughly apropos.--Juan Flores, author of From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity"A well-written, historically informed, and original treatment of the Puerto Rican cultural and ethno-class struggle in America. Boricua Power is scholarly yet heartfelt and recommended to anyone interested in ethnicity and social power."--Michael Parenti, author of The Culture StruggleWhere does power come from? Why does it sometimes disappear? How do groups, like the Puerto Rican community, become impoverished, lose social influence, and become marginal to the rest of society? How do they turn things around, increase their wealth, and become better able to successfully influence and defend themselves?Boricua Power explains the creation and loss of power as a product of human efforts to enter, keep or end relationships with others in an attempt to satisfy passions and interests, using a theoretical and historical case study of one community--Puerto Ricans in the United Sta

José Ramón Sánchez

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