Julian Smith

Jennet Conant

Ishmael Reed

Julia Flynn Siler

Naomi Hirahara

Jane Hirshfield

Mark Wallace

Doug Peacock

Lydia Lee

D. J. Waldie

Joseph Giovannini

Désirée Zamorano

Laura Fraser

Joy Lanzendorfer

Santi Elijah Holley

Monica Corcoran Harel

Jessica Klein

Robert Ito

Adam Mayer

Emma Pratt

Ky-Phong Tran

Matt Twombly

Jessica Zack

The Gimme Shelter Issue

Alta Journal Issue 24

Rizzoli

Kohn, Pedersen, Fox Associates (New York, NY u.a.)

Documents the most important fifty projects of the last six years work by one of America's largest international architectural firms

Architecture and Urbanism, 1986-1992

Kohn Pedersen Fox

Norman Foster

Discusses the architecture of the Hearst Tower in New York City, including the original vision for the building and its construction and layout.

Hearst Tower

Davira Spiro Taragin

Wendell Castle

Edward S. Cooke

The last generation has seen the maturation of the Studio Craft movement in America and a dramatic

Furniture by Wendell Castle

Examines the influence of twentieth-century avant-garde movements on the contemporary architectural landscape through the work of “disruptors” such as Frank Gehry, Rem Koolhaas, and Zaha Hadid. With an irregular format designed by celebrated graphic designer Abbott Miller of Pentagram. In Architecture Unbound, noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. Architecture Unbound traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.

A Century of the Disruptive Avant-Garde

Architecture Unbound

Beth Dunlop

Karen Stein

Carlos Zapata

The Restlessness of Architecture

Renzo Piano

Pierre Restany

Susumu Shingu

Although originally trained as a painter, Shingu became interested in sculpture when he saw one of his shaped canvases turning softly in the wind. The work that followed relied on natural forces to make it move or make sound, and he began using more sophisticated materials for outdoor works. By the time of Expo '70 in Osaka, Shingu had been commissioned to create a piece for the plaza. It contained many of the elements he would use later: parts of it were moved by both wind and water, in some ways harnessing their power but also buffeted by it. His work walks the fine line between complementing nature and being an integral part of it. The pieces, though large, colorful, and usually made of modern materials, adopt nature's rhythms in their movement. Shingu's sculpture is found around the world, from Japan to France, Italy, and the United States. In addition to creating sculptures, he has written and illustrated several children's books and designed several theater pieces that integrate his sculptures and installations with dramatic stories. All of these endeavors are collected here — along with the artist's comments on many of the sculptures, essays by Pierre Restany and Renzo Piano, and an interview with Joseph Giovannini — in a monograph that provides a complete portrait of Shingu's diverse career.

Message from Nature

Shingu

Joseph Giovannini

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