Joseph Mallord William Turner

Olivier Meslay

In 1802, at the age of 26, Joseph Mallord William Turner became the youngest ever member of the Royal Academy. A prolific painter and watercolourist, his paintings began by combining great historical themes with the inspired visions of nature, but his experimentation with capturing the effects of light led him swiftly towards an unusual dissolution of forms. Turner was a constant traveller, not only within the British Isles but also throughout Europe, from the Alps to the banks of the Rhine, from northern France to Rome and Venice. His death in 1851 revealed not only his zealously guarded private life but also a will that left both his fortune and more than thirty thousand drawings, watercolours and paintings to the nation. In this profusely illustrated book, Olivier Meslay invites us to follow the development of Turner's incandescent art, a bridge between Romanticism and Impressionism and one of Britain's most remarkable contributions to art history.

The Man who Set Painting on Fire

J.M.W. Turner

Sam Smiles

J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing the Impressionists in his dramatic interpretations of the effects of light and colour. The Turner Book goes beyond the usual interpretations of the artist, revealing the extraordinary self-belief and ambition that allowed him to continue steadfastly with his experimentation in the face of hostile critical attack. The book examines in detail key works and the techniques by which Turner realised them and features revealing extracts from his notebooks, travel journals and poetry. Beautifully illustrated with both famous and unknown works and ranging over the entire course of the artist's career, this is the essential guide to Turner's life and work. Sam Smiles is Professor of Art History at the University of Plymouth at Exeter and the author of numerous acclaimed books, including J.M.W. Turner, Two-way Traffic: British Art and Italian Art 1880-1980 and The Image of Antiquity: Ancient Britain and the Romantic Imagination.

Tate Essential Artists Series

The Turner Book

Michael Bockemühl

William Turner (1775-1851) was simultaneously a romantic and a realist--and yet he transcended both styles. This book opens up Turner's paintings, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself.

Turner

Peter Ackroyd

The second short biography in Peter Ackroyd's Brief Lives series concentrates on the life and work of perhaps the greatest and most original of all English Painters. James Mallord William Turner was a Londoner through and through. His father had a barber's shop in Covent Garden, his mother came from a line of London butchers. He was brought up in Maiden Lane. He was short and pugnacious and, as Peter Ackroyd writes: "His speech was recognizably that of a Cockney, and his language was the language of the streets." His language was also the language of light, as exemplified in his most innovative paintings, which caused the critics of the day to come to blows. His dying words were: "The Sun is God." Turner entered the Royal Academy at 14, and a year later was exhibiting. His first loves were architecture, engraving and watercolours, and the country houses, cathedrals and landscape of England. He came to oils through his new passion for Italy. This is the biography that Peter Ackroyd was born to write: Turner's Englishness, his temperament and his London background lie at the core of Ackroyd's lively personal interest in and specialist knowledge of London's history.

Eric Shanes

Tate Gallery

Explains the creative process that underlies these drawings and the interpretive techniques which have been used to analyse them. Colour illus.

Turner's Watercolour Explorations, 1810-1842

Andrew Wilton

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Turner as Draughtsman

Peter Bower

"... This study of the manufacture, selection and use of the papers that Turner worked on during the first half of his career is an introduction to the depths of that knowledge and experience. It charts the constantly developing relationship between his often very imaginative techniques and the grounds he worked on. It documents his complex responses to the rapid changes and increasing sophistication of the design and production of papers for artists. The focus in this ... are the years 1787-1820."--publisher.

A Study of the Manufacture, Selection and Use of His Drawing Papers 1787-1820

Turner's Papers

Picturesque Views on the Southern Coast of England, from Drawings ...

France, Italy, Germany, Switzerland

Anne Lyles

Watercolurs 1830-1840

Turner: the Fifth Decade

Ian Warrell

Paris (France). Pavillon des arts

Musée des beaux-arts André Malraux

Turner published two volumes of views of the River Seine in the early 1830s, when he was at the height of his success. All of the watercolours he completed for the project are reproduced in this book, along with many of his preliminary studies. As the text demonstrates, the watercolours are born out of Turner's long familiarity with the river. His views came as part of an explosion in the market for travel books, particularly for the area between Paris and the coast, and a number of these comparable publications, with their illustrations by some of Turner's finest rivals, are discussed. The book also examines how Turner confronted the technical innovations of the new age, making contemporary features, such as canals and steamboats, the subjects of his pictures, and thereby preparing the ground for masterpieces such as The Fighting Temeraire.

Turner on the Seine

The 'Wilson' Sketchbook

Martin Butlin

Evelyn Joll

The Paintings of J.M.W. Turner: Plates

David Hill

The Journey Through France & Switzerland in 1802

Turner in the Alps

Lindsay Stainton

Turner's Venice

A collection of paintings featuring great artists from the eighteenth and nineteenth centuries presented in a convenient square format. Paintings of 16 artists are presented in this series that include most of their famous paintings.

Turner, 1775-1851

Retraces Turner's route through Northern England and the paintings he made of the areas.

Through the Hills and Dales of Northern England

In Turner's Footsteps

Liber Studiorum

Published to accompany the exhibition at the Tate Gallery, Liverpool 23 June - 1 October 2000.

The Sun is God

J. M. W. Turner

This is the fifth volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. A first of its kind in digital print, the ‘Masters of Art’ series allows digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents hundreds of oil and watercolour paintings of Britain's most celebrated artist J. M. W. Turner. For all art lovers, this stunning collection presents a beautiful feast of images by the great Romantic Master. Features: * over 360 oil paintings, indexed and arranged in chronological order * a selection of over 190 watercolours, indexed and arranged in chronological order * special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * learn about the history of 'The Fighting Temeraire' and other famous works in clear, but scholarly detail. * beautiful 'detail' images, allowing you to 'zoom in' and explore Turner's most famous paintings * numerous images relating to Turner’s life, places and works * learn about the great artist's life in William Cosmo Monkhouse's famous biography * hundreds of images in stunning colour - highly recommended for tablets, iPhone and iPad users, or as a valuable reference tool on traditional eReaders Please visit www.delphiclassics.com to browse our range of e-Art titles. CONTENTS: The Highlights FISHERMEN AT SEA BUTTERMERE LAKE, WITH PART OF CROMACKWATER, A SHOWER SELF PORTRAIT, 1799 THE FALL OF AN AVALANCHE IN THE GRISONS SNOW STORM: HANNIBAL AND HIS ARMY CROSSING THE ALPS BONNEVILLE, SAVOY WITH MONT BLANC THE SHIPWRECK DIDO BUILDING CARTHAGE THE BURNING OF THE HOUSES OF LORDS AND COMMONS ULYSSES DERIDING POLYPHEMUS PEACE — BURIAL AT SEA THE FIGHTING TEMERAIRE SHADE AND DARKNESS - THE EVENING OF THE DELUGE THE SLAVE SHIP RAIN, STEAM AND SPEED - THE GREAT WESTERN RAILWAY SNOWSTORM - STEAM-BOAT OFF A HARBOUR’S MOUTH LANDSCAPE WITH DISTANT RIVER AND BAY A DISASTER AT SEA NORHAM CASTLE SUNRISE The Oil Paintings THE OIL PAINTINGS ALPHABETICAL LIST OF OIL PAINTINGS The Watercolour Paintings THE WATERCOLOUR PAINTINGS ALPHABETICAL LIST OF WATERCOLOURS The Biography TURNER by William Cosmo Monkhouse Please visit www.delphiclassics.com to browse our vast range of beautiful eBooks

Joseph Mallord William Turner

Books

Your next favorite book is out there