Julia Adeney Thomas

Brett L. Walker

Ian Jared Miller

Japan at Nature’s Edge is a timely collection of essays that explores the relationship between Japan’s history, culture, and physical environment. It greatly expands the focus of previous work on Japanese modernization by examining Japan’s role in global environmental transformation and how Japanese ideas have shaped bodies and landscapes over the centuries. The immediacy of Earth’s environmental crisis, a predicament highlighted by Japan’s March 2011 disaster, brings a sense of urgency to the study of Japan and its global connections. The work is an environmental history in the broadest sense of the term because it contains writing by environmental anthropologists, a legendary Japanese economist, and scholars of Japanese literature and culture. The editors have brought together an unparalleled assemblage of some of the finest scholars in the field who, rather than treat it in isolation or as a unique cultural community, seek to connect Japan to global environmental currents such as whaling, world fisheries, mountaineering and science, mining and industrial pollution, and relations with nonhuman animals. The contributors assert the importance of the environment in understanding Japan’s history and propose a new balance between nature and culture, one weighted much more heavily on the side of natural legacies. This approach does not discount culture. Instead, it suggests that the Japanese experience of nature, like that of all human beings, is a complex and intimate negotiation between the physical and cultural worlds. Contributors: Daniel P. Aldrich, Jakobina Arch, Andrew Bernstein, Philip C. Brown, Timothy S. George, Jeffrey E. Hanes, David L. Howell, Federico Marcon, Christine L. Marran, Ian Jared Miller, Micah Muscolino, Ken’ichi Miyamoto, Sara B. Pritchard, Julia Adeney Thomas, Karen Thornber, William M. Tsutsui, Brett L. Walker, Takehiro Watanabe.

The Environmental Context of a Global Power

Japan at Nature's Edge

Geoff Eley

Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman

The Twentieth-Century Rise of the Global Right

Visualizing Fascism

Jan Zalasiewicz

Humans rank with the powerful forces of nature transforming Earth. Since the mid-20th century, population growth, industrialization, and globalization have had such deep and wide-ranging impacts that our planet no longer functions as it did during the previous eleven millennia. So distinctive is this collective human intervention that a new geological interval has been proposed; it is called the Anthropocene. The Anthropocene is intriguing scientifically, fascinating intellectually, and deeply disturbing politically, socially, economically, and ethically. We must learn how to co-exist sustainably with the rest of nature in what is emerging as a new planetary state. To do so, we must first understand what "Anthropocene" means in all its dimensions. This book adopts a multidisciplinary approach, starting with an exploration of the Anthropocene as a geological concept: ranging across the physical changes to the landscape, to the rapidly heating climate, to a biosphere undergoing transformation. And what of the "anthropos" in the Anthropocene? While geoscience does not normally address political and ethical issues of justice and equity, or economics and culture, Anthropocene studies in the humanities and social sciences investigate the complexities of the human activity driving global change. Here the book looks at human history, both in the deep past and more recently, the politics and economics of growth spurring the Anthropocene, and potential ways of mitigating its cruel effects. Our fragile, still beautiful, planet is finite. The new realities of the Anthropocene will need our best efforts, across disciplinary divides, at effective hope and action.

Julia Adeney Thomas

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