Anon

Ryūnosuke Akutagawa

Chiyo Uno

Kafu Nagai

Oh the cruelty of time, that destroys all things!' Beguiling, strange and hair-raising tales from early 20th century Japan- Nagai's Behind the Prison, Uno's Closet LLBand Akutagawa's deeply macabre General Kim.

Three Japanese Short Stories

First published in 1937, is a book both modern and nostalgic. It shows a changing city, it's slums, backstreets, temples and shrines, a city filled with erudite establishments and brothels. It shows a man trying to justify his life, and a glimpse into the creative process and a gentle eulogy on things passing.

Something Strange Across the River

'Oh the cruelty of time, that destroys all things!' Beguiling, strange and hair-raising tales from early 20th century Japan: Nagai's Behind the Prison, Uno's Closet LLB and Akutagawa's deeply macabre General Kim. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Geisha in Rivalry, first published as Udekurabe in 1918, has a secure place among Kafu Nagai's masterpieces. Set against the backdrop of Tokyo's Shimbashi geisha district, a company of vivid characters play out their drama of illicit love, shady intrigue, and unrelenting rivalry. In the forefront are the geisha: some powerful and spiteful like the imperious Rikiji, some crude and obvious like the gaudy Kikuchiyo, some naive and pathetic like the heroine Komayo, and all engaged in finding a place for themselves in a world that offers no easy route of escape from their profession. Here, too, are the patrons of the geisha: the playboys, the actors, the successful businessmen, and the "upstart gentlemen" of late Meiji society. And here, again, are those who make the machinery of this world function: the geisha house proprietors, the teahouse mistresses, the actors' retainers, the servants. And, finally, here are the parasites of the demimonde, who live off its other denizens through guile and deceit. Through this often sordid but fascinating pageant move the figures of the geisha Komayo, her lovers, and the women who conspire to steal them from her.

Kafu Nagai

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