Christiane Fricke

Manfred Schneckenburger

Karl Ruhrberg

Klaus Honnef

Explores the various styles and movements of twentieth-century art, covering painting, sculpture, and related artifacts, as well as new media, and photography; discusses the interrelations between the disciplines; and includes color and black-and-white illustrations.

Art of the 20th Century: Painting

Wulf Herzogenrath

Dirk Teuber

zeitgenössische Künstler sehen den Kölner Dom; 3. Katalog der Ausstellung des Kölnischen Kunstvereins und Museum Ludwig Köln, 16. Oktober bis 23. November 1980

Mein Kölner Dom

An undertaking as immensely ambitious as this one deserves our attention before we even open one of its stunningly illustrated and argued twin volumes. For what Ingo Walther and his international team have done is to make sense of this most explosive of artistic centuries. Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisite disciplines for modern artists, constantly questioning both the technical and thematic definitions of their work? The infinite laboratory of experiment that the visual arts have become over the last decades highlights not only the inherent potential for human creativity and representation, but also shows the way individuals and groups have responded to the huge social, political and technological changes of this most turbulent of times. Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, your art book purchases can stop once you buy this. Warning: it will not fit on your coffee table!

Art of the 20th Century: Sculpture

The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.

Karl Ruhrberg

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