Robert C. Solomon

Kathleen Marie Higgins

Teaching Company

Professors Robert Solomon and Kathleen Higgins help the user discover the heart and mind of this systematically unsystematic philosopher. Each lecture focuses on the specific ideas that preoccupied Nietzsche, while tracing the profound themes that give shape and meaning to his philosophy. These themes form the foundation of modern humanistic culture.

The Philosophy of Friedrich Nietzsche

The Will to Power

Clancy Martin

Introducing Philosophy: A Text with Integrated Readings, Eleventh Edition, is an exciting, accessible, and thorough introduction to the core questions of philosophy and the many ways in which they are, and have been, answered. The authors combine substantial selections from significant works in the history of philosophy with excerpts from current philosophy, clarifying the readings and providing context with their own detailed commentary and explanation. Spanning 2,500 years, the selections range from the oldest known fragments to cutting-edge contemporary essays. Organized topically, the chapters present alternative perspectives--including analytic, continental, feminist, and non-Western viewpoints--alongside the historical works of major Western philosophers.

A Text with Integrated Readings

Introducing Philosophy

Provides a brief history of Western philosophy and philosophers, and provides information on Eastern philosophy and philosophers in such areas as Confucianism, Taoism, Buddhism, Zoroastrianism, and Jainism.

A Short History of Philosophy

This book offers a lively and unorthodox analysis of Nietzsche by examining a neglected aspect of his scholarly personality--his sense of humor. While often thought of as ponderous and melancholy, the Nietzsche of Higgins's study is a surprisingly subtle and light-hearted writer. She presents a close reading of The Gay Science to show how the numerous literary risks that Nietzsche takes reveal humor to be central to his project. Higgins argues that his use of humor is intended to dislodge readers from their usual, somber detachment and to incite imaginative thinking.

Nietzsche's Gay Science

Comic Relief

German Idealism was one of the most fertile and important movements in the history of Western philosophy. This volume includes eleven chapters on all aspects and the period's most influential philosophers, including Kant and Hegel.

The Age of German Idealism

G. Lee Bowie

Meredith W. Michaels

Thirteen Questions in Ethics

This anthology, appropriate for introductory aesthetics and philosophy of art courses, includes comprehensive coverage of traditional material as well as substantial inclusion of contemporary and non-Western readings. Readings from popular culture entice students into the study of aesthetics and motivate them to learn more. The organization of the text is also student-oriented, with chapters that pose such questions as What Is Art? and Should We Focus on Form?

Aesthetics in Perspective

Stephen Davies

Robert Hopkins

David E. Cooper

Robert Stecker

In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in this area of aesthetics. Written by prominent scholars covering a wide-range of key topics in aesthetics and the philosophy of art Features revised and expanded entries from the first edition, as well as new chapters on recent developments in aesthetics and a larger number of essays on non-Western thought about art Unique to this edition are six overview essays on the history of aesthetics in the West from antiquity to modern times

A Companion to Aesthetics

In the second edition of this groundbreaking text in non-Western philosophy, sixteen experts introduce some of the great philosophical traditions in the world. The essays unveil exciting, sophisticated philosophical traditions that are too often neglected in the western world. The contributors include the leading scholars in their fields, but they write for students coming to these concepts for the first time. Building on revisions and updates to the original, this new edition also considers three philosophical traditions for the first time—Jewish, Buddhist, and South Pacific (Maori) philosophy.

An Invitation to World Philosophy

From Africa to Zen

Robert Charles Solomon

Solomon and Higgins have chosen excerpts from the great philosophical texts and combined them with the most exciting new work of philosophers writing today. It examines the mysteries of erotic love from a variety of philosophical perspectives and provides an impressive display of wisdom that the world's best thinkers have brought, and continue to bring, to the study of love.

The Philosophy of (erotic) Love

A straightforward, honest assessment of Nietzsche's life and work unravels the myth surround the great philosopher's politics, sexuality, and state of mental health.

What Nietzsche Really Said

Nietzsche's Zarathustra takes an interdisciplinary approach to Nietzsche's Thus Spoke Zarathustra, focusing on the philosophical function of its literary techniques and its fictional mode of presentation. It argues that the fictional format is essential to Nietzsche's philosophical message in his work. Part of that message is Nietzsche's alternative to the Western worldview as developed by Plato's dialogues and the Christian Gospel, which he presents through the teachings of his hero, Zarathustra. Another part of that message is that any doctrine, including those of Zarathustra himself, has an ambivalent nature. Although doctrinal formulations are designed to preserve and communicate philosophical insights, they can become dead formulas, out of touch with the live philosophical discoveries that they aimed to capture. Thus Spoke Zarathustra explores Zarathustra's own vulnerability to this risk, and his way of regaining real connection with living wisdom. The doctrine of eternal recurrence, which is particular prominent in Zarathustra, is a case in point. The doctrine is offered in opposition to the worldview that Nietzsche associates with the Christian doctrine of sin, which in his view promotes a view of this life as devoid of intrinsic value. However, certain ways of adhering to this doctrine themselves rob life of its value. The book also defends the importance of Part IV of Thus Spoke Zarathustra, which many scholars have seen as unimportant by comparison with the first three parts. Nietzsche's Zarathustra argues that Part III would not have been a culmination for the work, and that Part IV is essential to Nietzsche's project. Part IV's allusions to Apuleius' The Golden Ass, an ancient Menippean satire, suggest that it should be read as a satire in which Zarathustra falls into and recovers from folly. It is thus the culminating statement of the point that there is always a discrepancy between the living philosophical insight and any attempt to articulate it,

Nietzsche's Zarathustra

Fredric Jameson

James Elkins

Elaine Scarry

Dave Hickey

Theodor W. Adorno

Griselda Pollock

Andy Warhol

Thierry De Duve

Gerhard Richter

Christoph Grunenberg

Leon Golub

Rosalind Krauss

Diarmuid Costello

Paul Wood

Caroline A. Jones

Arthur Coleman Danto

John Roberts

Mark Cousins

Alexander Alberro

Wendy Steiner

Jason Gaiger

Timothy J. Clark

Richard Woodfield

Rudolf Sagmeister

Robert Smithson

Vito Acconci

Alex Katz

Benjamin H. D. Buchloh

Nancy Spero

Rasheed Araeen

Agnes Martin

David Raskin

Art & Language

John Currin

Anna Dezeuze

Leo Fitzmaurice

Suzanne Perling Hudson

Mark Hutchinson

Saul Ostrow

Simon O'Sullivan

Dominic Willsdon

Jaques Derrida

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Beauty is among the most hotly contested subjects in current discussions on art and culture. After decades of disavowal, beauty's resurgence in recent art has engaged some of the most influential artists and writers. Spanning diverse positions, this anthology assembles the key texts on the cultural politics of this recent phenomenon, as well as contextualizing these debates - both for and against - in artistic practice and the broader history of aesthetics. Artists surveyed include: Vito Acconci, Jake and Dinos Chapman, Gustave Courbet, Marcel Duchamp, Marlene Dumas, Felix Gonzalez-Torres, Adolph Gottlieb, Hans Hofmann, Gary Hume, Asger Jorn, Alex Katz, Willem de Kooning, Joseph Kosuth, Paul McCarthy, Edouard Manet, Robert Mapplethorpe, Agnes Martin, Robert Morris, Barnett Newman, Pablo Picasso, Jackson Pollock, Gerhard Richter, Mark Rothko, Robert Smithson, Nancy Spero, Frank Stella, Clyfford Still and Andy Warhol. Writers include: Theodor Adorno, Alexander Alberro, Rasheed Araeen, Art & Language, Benjamin H. D. Buchloh, T. J. Clark, Mark Cousins, Arthur C. Danto, Jacques Derrida, Thierry de Duve, Fredric Jameson, Christoph Grunenberg, Dave Hickey, Suzanne Perling Hudson, Caroline A. Jones, John Roberts, Elaine Scarry, Wendy Steiner and Paul Wood.

Beauty

“Higgins’ love of music and cultural variety is evident throughout. She writes in a relaxed, accessible, sophisticated style…Highly recommended.”—Choice From our first social bonding as infants to the funeral rites that mark our passing, music plays an important role in our lives, bringing us closer to one another. In this book, philosopher Kathleen Marie Higgins investigates this role, examining the features of human perception that enable music’s uncanny ability to provoke—despite its myriad forms across continents and throughout centuries—the sense of a shared human experience. Drawing on disciplines such as philosophy, psychology, musicology, linguistics, and anthropology, Higgins’s richly researched study showcases the ways music is used in rituals, education, work, and healing, and as a source of security and—perhaps most importantly—joy. By participating so integrally in such meaningful facets of society, Higgins argues, music situates itself as one of the most fundamental bridges between people, a truly cross-cultural form of communication that can create solidarity across political divides. Moving beyond the well-worn takes on music’s universality, The Music between Us provides a new understanding of what it means to be musical and, in turn, human. “Those who, like Higgins, deeply love music, actually know something about it, have open minds and ears, and are willing to look beyond the confines of Western aesthetics…will find much to learn in The Music between Us.”—Journalof Aesthetics and Art Criticism

Is Music a Universal Language?

The Music between Us

Paying particular attention to the issue of how to read Nietzsche, this book presents a series of accessible essays on the work of this influential German philosopher. The contributions include many of the leading Nietzsche scholars in the United States today - Frithjof Bergmann, Arthur Danto, Bernd Magnus, Christopher Middleton, Lars Gustaffson, Alexander Nehamas, Richard Schacht, Gary Shapiro, and Ivan Soll - and the majority of the essays have never been published. Works discussed include On the Genealogy of Morals, Beyond Good and Evil, Thus Spoke Zarathustra, Twilight of the Idols, and The Will to Power.

Reading Nietzsche

Felsefenin kısa tarihi

"The publication of the revised edition of Kathleen Marie Higgins's Nicizscbe's Zarathustra is a great boon to Nietzsche scholars and Zarathustra specialists alike, for Higgins's consistently subtle analysis of Nietzsche's bold experiment in philosophical writing---especially her groundbreaking interpretation of Zamthustra, part IV---is replete with invaluable insights More than twenty years after its initial appearance, Nietzsche's Zarathustra remains an indispensable point of reference for philosophers and critics who take seriously Nietzsche's judgment that Zamthustra is his most significant work."---Robert Gooding-Williams, University of Chicago "This Spoke Zarathustra is Nietzsche's most popular and yet least comprehensible book Many have left the matter there, deriding both the author and his public. Kathleen Marie Higgins refuses to take this easy path. She reveals the complexities underlying the work's apparent lack of organization and argues that these complexities, far from being gratuicous, are telling and significant. She argues that Zarathustra breaks the boundaries that separate a number of genres from one another. Her own interpretation, reflecting the features of its subject, breaks the boundaries that separate a number of academic disciplines. Higgins has written an engaging book that will prove indispensable to Nietzsche's many readers."---Alexander Nehamas, University of Pennsylvania "Nietzsche thought that philosophy chairs would be offered for the best interpretations of This Spoke Zarathustra one hundred years after its publication. Professor Higgins's treatment of Nietzsche's thought, which most writers on Nietzsche ignore, neglect, deny, or don't even see." ---Joan Stambaugh. Hunter College With an interdisciplinary approach to Nietzsche's Thus Spoke Zarathustra, Kathleen Marie Higgins's Nietzsche's Zarathustra focuses on the philosophical function of its literary techniques and its fictional mode of presentation. Now appearing after twenty years as a revised edition, this valuable roadmap to Zaratbustra argues that the fictional format is essential to Nietzsche's philosophical message in his work. There is always a discrepancy between the living philosophical insight and any attempt to articulate it, and Nietzsche portrays the philosopher's task as an on-going balancing act in which folly is a means to further insight.

Kathleen Higgins

Don Garrett

Bernd Magnus

A 1996 companion to Friedrich Nietzsche, one of the most influential of modern philosophers.

The Cambridge Companion to Nietzsche

Kathleen Marie Higgins

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