Kevin Colden

Fishtown

Thomas John McLean

VARIETY writer Thomas J. McLean offers the definitive study of the original X-Men movie trilogy. Using both the source material and interviews conducted solely for this book, he traces each film's development process, adaptation of the X-Men comics mythos, and reception. He also examines previous attempts to adapt the X-Men for the screen, omitted scenes, the films' novelizations and prequel comics, and the trilogy's lasting legacy. From Sequart Research & Literacy Organization. More info at http: //Sequart.org

The X-Men Trilogy from Comics to Screen

Mutant Cinema

Julian Darius

This definitive, unauthorized study of Christopher Nolan's landmark 2005 film demonstrates how BATMAN BEGINS adapted and fused a half century of comic books into a single, unified movie. This book also examines past attempts to film Batman's origins, how those origins evolved over time, and where Nolan's realism falls on a spectrum with past Batman movies and even the 1960s TV show. Dr. Julian Darius manages to reveal secrets to even the most hardcore Batman fan, while remaining fully accessible to those new to the character. From Sequart Research & Literacy Organization. More info at http: //Sequart.org

Batman Begins from Comics to Screen

Improving the Foundations

Tom Shapira

Published in 2002-2003, Grant Morrison and Chris Weston's THE FILTH is disgusting, deeply disturbing, and a comic-book masterpiece that inoculates readers against the problems of the postmodern condition. So says Tom Shapira, who also explores THE FILTH's relationship to Morrison's THE INVISIBLES, to the 1999 film THE MATRIX, and to the work of Alan Moore. The book also includes interviews with Grant Morrison, Chris Weston, and inker Gary Erskine, plus art from Weston illuminating the design of the series and containing imagery censored in the printed comic. From Sequart Research & Literacy Organization. More info at http: //Sequart.org

Curing the Postmodern Blues: Reading Grant Morrison and Chris Weston's the Filth in the 21st Century

In 1988, Alan Moore and Brian Bolland's BATMAN: THE KILLING JOKE offered a violent, literate, and controversial take on the Joker's origins and his relationship with Batman. Now, Dr. Julian Darius examines it in the context of the high-art ambitions of 1980s super-hero comics, exposing the narrative's ambiguities and secrets. From Sequart Organization. More info at http: //sequart.org

Kevin Colden

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