Kirk Ormand

A Companion to Sophocles presents the first comprehensive collection of essays in decades to address all aspects of the life, works, and critical reception of Sophocles. First collection of its kind to provide introductory essays to the fragments of his lost plays and to the remaining fragments of one satyr-play, the Ichneutae, in addition to each of his extant tragedies Features new essays on Sophoclean drama that go well beyond the current state of scholarship on Sophocles Presents readings that historicize Sophocles in relation to the social, cultural, and intellectual world of fifth century Athens Seeks to place later interpretations and adaptations of Sophocles in their historical context Includes essays dedicated to issues of gender and sexuality; significant moments in the history of interpreting Sophocles; and reception of Sophocles by both ancient and modern playwrights

A Companion to Sophocles

The first unified interpretation of the Catalogue of Women in English in more than twenty-five years, in the context of related poetry from the time.

The Hesiodic Catalogue of Women and Archaic Greece

Sexuality in Ancient Greece and Rome

Controlling Desires

Ancient Sex: New Essays presents groundbreaking work in a post-Foucauldian mode on sexuality, sexual identities, and gender identities in ancient Greece and Rome. Since the production of Foucault's History of Sexuality, the field of classics has been caught in a recursive loop of argument regarding the existence--or lack thereof--of "sexuality" (particularly "homosexuality") as a meaningful cultural concept for ancient Greece and Rome. Much of the argument concerning these issues, however, has failed to engage with the central argument of Foucault's work, namely, the assertion that sexuality as we understand it is the correlative of a historically specific form of medical and legal discourse that emerged only in the late nineteenth century. Rather than reopening old debates, Ancient Sex takes up Foucault's call for discursive analysis and elucidates some of the ways that ancient Greek and Roman texts and visual arts articulate a culturally specific discourse about sexual matters. Each contributor presupposes that sexual and gendered identities are discursively produced, and teases out some of the ways that the Greeks and Romans spoke and thought about these issues. Comprising essays by emerging and established scholars, this volume emphasizes in particular: sexual discourses about women; the interaction between sexual identities and class status; gender as an unstable discursive category (even in antiquity); and the relationships between ancient and modern sexual categories.

New Essays

Ancient Sex

"Comprehensive, reader-friendly, richly detailed, forthright, subtle, and very clear, Controlling Desires is the only handbook on ancient sexuality that works persistently to offset modern readers' assumptions about sex and sexuality, to challenge the notion that sexuality is natural and universal, and to bring out the differences between ancient and modern discourses of sex—or, even, between ancient and modern experiences of desire. As such, it is a very helpful resource for students working on the history of sexuality in classical antiquity, because it shows how such a history might be possible and what is actually historical about sexuality." —David M. Halperin, University of Michigan, author of One Hundred Years of Homosexuality, Saint Foucault, and How to Do the History of Homosexuality Since its first publication in 2009, Controlling Desires has been widely lauded as an accessible introduction to sexual practices, attitudes, and beliefs in the classical world. Treating Greece and Rome in separate sections, with ample cross-references and comparisons, Kirk Ormand presents a wide array of evidence from literary texts and visual arts, including two new chapters on Greek vase painting and Roman artifacts and wall paintings.

Marriage is a central concern in five of the seven extant plays of the Greek tragedian Sophocles. In this pathfinding study, Kirk Ormand delves into the ways in which these plays represent and problematize marriage, thus offering insights into how Athenians thought about the institution of marriage. Ormand takes a two-fold approach. He first explores the legal and economic underpinnings of Athenian marriage, an institution designed to guarantee the legitimate continuation of patrilineal households. He then shows how Sophocles' plays Trachiniae, Electra, Antigone, Ajax, and Oedipus Tyrannus both reinforce and critique this ideology by representing marriage as a homosocial exchange between men, in which women are objects who may attempt—but always fail—to become self-acting subjects. These fresh readings provide the first systematic study of marriage in Sophocles. They draw important connections between drama and marriage as rituals concerned with controlling potentially disruptive female subjectivities.

Kirk Ormand

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