Jo Applin

Kirsten Swenson

Todd Alden

In 1964 the industrialist Friedrich Arnhard Scheidt invited Eva Hesse (1936–1970) and her husband, Tom Doyle, to a residency in Kettwig an der Ruhr, Germany. The following fifteen months marked a significant transformation in Hesse’s practice. The artist’s studio space was located in an abandoned textile factory that contained machine parts, tools, and materials that served as inspiration for her complex, linear mechanical drawings and paintings. In 1965 Hesse expanded on this theme and began using objects found in the factory and papier-mâché to produce a series of fourteen vibrantly colored reliefs that venture into three-dimensional space with such materials as wood, metal, and cord protruding from the picture plane. With dynamic new scholarship and previously unpublished illustrations, Eva Hesse 1965 highlights key drawings, paintings, and reliefs from this pivotal time and demonstrates how the artist was able to rethink her approach to color, materials, and dimensional space and begin moving toward sculpture, preparing herself for the momentous strides that she would take upon her return to New York.

Eva Hesse 1965

Cet ouvrage examine l'amitié et l'échange significatif d'idées entre Eva Hesse et Sol LeWitt à New York pendant les années 1960. Ce livre examine les percées des carrières entrelacées des artistes, offrant une nouvelle compréhension de l'art minimal, post-minimal et conceptuel parmi les bouleversements politiques et sociaux de l'époque.

Eva Hesse, Sol Lewitt, and 1960s New York

Irrational Judgments

Alex Kitnick

Alex Gartenfeld

Falvin Judd

Ellen Saltpeter

This book presents an important, unpublished, and unseen body of work by Donald Judd, one of the most significant artists of the 20th-century. Donald Judd remains an important artist, whose radical ideas and work continue to provoke and influence the fields of art, architecture, and design. This book focuses on one of his first mature series of work, during an intense period when he was significantly moving away from accepted traditional styles through investigations of form and color. Featuring texts by renowned art historians and critics, Donald Judd: Paintings 1959-61 presents new scholarship on this canonical artist and demonstrates his ongoing influence. Published in association with Institute of Contemporary Art, Miami

Paintings 1959-61

Donald Judd

Kirsten Swenson

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