Kristen Gresh

The first book to focus on Graciela Iturbide's photographs of Mexico, capturing all of its beauties, rituals, challenges, and contradictions. Graciela Iturbide, best known for iconic photographs of indigenous women of Mexico, has engaged with her homeland as a subject for the past fifty years in images of great variety and depth. The intensely personal, lyrical photographs collected and interpreted in this book show that, for her, photography is a way of life - as well as a way of seeing and understanding Mexico, with all its beauties, rituals, challenges, and contradictions. The Mexico portrayed here is a country in constant transition, defined by tensions between urban and rural life, and indigenous and modern life. Iturbide's deep connection with her subjects - among them political protests, celebrations and rituals, desert landscapes, cities, places of burial - produces indelible images that encompass dreams, symbols, reality, and daily life. This volume presents more than a hundred beautifully reproduced black-and-white photographs, accompanied by illuminating essays inviting readers to share in Graciela Iturbide's personal artistic journey through the country she knows so intimately.

Photographs

Graciela Iturbide's Mexico

Katherine A. Bussard

The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.

Kristen Gresh

Books

Your next favorite book is out there