Neelam Srivastava

Francesca Orsini

Laetitia Zecchini

This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.

Cold War, Decolonization and Third World Print Cultures

The Form of Ideology and the Ideology of Form

Rachel Potter

Jennifer Clement

Peter McDonald

Carles Torner

Ginevra Avalle

One hundred years of protecting freedom of expression-literature knows no frontiers. This book tells the extraordinary story of how writers from around the world placed the celebration of literature and the defense of free speech at the center of humanity's struggle against repression and terror.

An Illustrated History

"A tremendous variety of influences have shaped Indian literary modernity, all of which can be understood through the poetry of Arun Kolatkar. In this first scholarly work of India's great modern poet, Laetitia Zecchini discusses the traditions, figures and events that inspired and defined Kolatkar specifically and Indian modernism in general. Zecchini uses unpublished manuscripts and diaries to follow the conflation of regional, pan-Indian and Western traditions on Kolatkar. She uncovers how poets of his generation became modern Indian writers while tracing a medieval lineage at the same time as they translated contemporary Western poetry. She considers how literary bilingualism allowed Kolatkar to blur the boundaries between 'original' Marathi poems and the English 'translation'; why he used his outsider position to privilege the minor and peripheral and how, like many modern Indian poets, Kolatkar used the present to revive the spirit of popular devotion. Steeped in World literature, European avant-garde poetry and American pop culture, Kolatkar makes for a fascinating subject to explore and explain the story of Indian literary modernity"--

Moving Lines

Arun Kolatkar and Literary Modernism in India

Laetitia Zecchini

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