Laura Fisher

Tumbling Blocks, Delectable Mountains, Stairway to Heaven, Log Cabin, Windmill Blades, and Other Optical Designs

Quilts of Illusion

This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society's negotiation of Indigenous people's status within the nation. Through critical reflection on Aboriginal art's idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art's meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art's vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.

Hope and Disenchantment

Aboriginal Art and Australian Society

This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.

Deborah Harding

The "house" is one of American folk art's most popular and prominent motifs, and this beautiful, authoritative volume is the first of its kind to explore this symbol in all major folk art media. The book is also a record of America's lost architectural heritage-- many of the buildings featured are no longer standing. Each chapter focuses on a specific folk art category and includes an in-depth, detailed introduction to the subject followed by a comprehensive gallery of images accompanied by extended captions that provide a symbolic, social, and economic context for each piece. Every folk art format is featured: quilts, rugs, needlework, furnishings, paintings, and drawings, among others. The unique folk art objects presented are culled from dealers' wares, unpublished private and corporate collections, auction houses, and major folk art museums in the country. With its wealth of photography and insightful text, and introduction by Gerard C. Wertkin, Director of the Museum of American Folk Art in New York City, Home Sweet Home is an excellent resource for collectors, history and nostalgia buffs, and those interested in Americana.

The House in American Folk Art

Home Sweet Home

New Kind Of Stress Relief Coloring Book No extra skills Just relax, take pen, marker or pencil start to color between the lines and look how the pictures coming into focus! When you finish look a little closer and you'll see your masterpiece take a shape! 3 types of graphic puzzles lines, dots and spirals (Thomas Pavitte style) Different levels of difficulty 30 images Each image is printed on a separate page to prevent bleed-through Provides fun for long hours! Highly addictive!

Laura Fisher

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