Lauro Martines

Written by a respected Renaissance scholar, this book reads like a novel as it tells the story of one of history's most ruthless bosses.

Florence and the Plot Against the Medici

April Blood

Looks at some of the armies and wars that moved Middle Ages Europe to modernity, exploring how these forces consumed resources, spread disease, and invented new weapons.

War in Europe, 1450–1700

Furies

Hans van Cuijlenborg

De aanslag in 1478 in Florence op de heersende familie De Medici en de gruwelijke gevolgen ervan.

Florence en de samenzwering tegen de Medici

Bloed in april

"Un domingo de abril de 1478, en la catedral de Florencia, un grupo de conspiradores trat de acabar con la vida de dos de los principales miembros de la familia Mdicis, Lorenzo el Magnfico, jefe extraoficial del Estado, y Juliano, su hermano menor. El complot, conocido como la conspiracin de los Pazzi, fracas; las represalias posteriores se saldaron con un bao de sangre y de ah el ttulo de este libro: 'Sangre de abril'." De esta manera, narrativamente impecable, nos introduce Lauro Martines en la conspiracin poltica que marc el desarrollo futuro del Estado italiano y vertebr el dominio de los Mdicis sobre el entramado de intrigas, luchas de poder y florecimiento cultural que fue el Renacimiento. Un papa belicoso y lascivo, Sixto IV, las aristocrticas familias Pazzi y Sforza, Fernando de Aragn, rey de Npoles, y el duque de Urbino componen el elenco conspirador unido por una vasta urdimbre de intereses y odios contra la poderosa familia Mdicis. La historia, que se devela al lector hasta sus ms mnimos detalles, tiene ms en comn con 'El padrino' de Puzo que con el 'Julio Csar' de Shakespeare.

Florencia Y La Conspiracion Contra Los Medicis

Sangre De Abril/ Blood of April

A riveting new book about Savonarola, “a lowly friar” of Renaissance Florence, but also a charismatic preacher and the talk of all Italy in the 1490s when he called for the renewal of a corrupt Church and the purging of vile governments. From the Hardcover edition.

Savonarola and Renaissance Italy

Scourge and Fire

When the King of France invaded Italy in 1494, princely states would fall, sending tremors up and down the peninsula. The Medici fled from Florence; the republic sprang back to life; and the French army, occupying the Renaissance city for ten terrifying days, stood on the verge of sacking it. A 'little friar' from Ferrara, Savonarola was alone in knowing how to comfort citizens with his sermons and in urging the King to get out of Florence. Although the French left a city riven by political factions, the Friar's popular 'party' swiftly prevailed. With Florence at the height of its Renaissance glories, his voice rose above those of all other men. Claiming to be a messenger from God, he attacked evils on all sides - a mercenary Church, the despotism of the Medici, vile political elites, and Pope Alexander VI, Rodrigo Borgia, whose name itself was a byword for brazen corruption. Savonarola foretold a universal 'scourging', but made pleas, above all, for the renewal of Christianity and for the political voice of the people. His struggle turned into a battle for the 'soul' of Florence. Excommunicated and silenced, Savonarola spurned Rome and began to preach again, retaining the strong support of the city republic. As the Pope and Medicean conspirators closed in on him, five prominent Florentines were beheaded for plotting against the state, further inflaming the passions already rife in the city. After an abortive trial by fire to shame and discredit him, his enemies set siege to his convent, leading to his arrest and trial on trumped-up charges of heresy. Savonarola mingled the fervour of religion with the ardour of republican politics. Scourge and Fire is the story of his impact on Florence and of the city's spell over him.

Lauro Martines' exhaustive search of manuscript material in the state archives of Florence is the basis for a fascinating portrayal of representative humanists of the period. The Social World of the Florentine Humanists explores the wealth, family tradition, civic prominence, and intellectual achievements of these individuals while assessing the attitudes of other Florentines towards them. Martines demonstrates that humanists tended to be wealthy educated men from important families, challenging long-held assumptions about the status of humanisits in that society. First published in 1963, this groundbreaking study provides a detailed picture of the social structure of Florence in the Quattrocento. Martines's work influenced a generation of scholars and illuminated a complex and multifaceted world.

The Social World of the Florentine Humanists, 1390-1460

Rich, intriguing history from a leading scholar of early modern Europe, bringing alive the wars and armies that shaped the contintent's path out of the Dark Ages to modernity

In Power and Imagination, a noted historian rethinks the evolution of the city-state in Renaissance Italy and recasts the conventional distinction between "society" and "culture." Martines traces the growth of commerce and the evolution of governments; he describes the attitudes, pleasures, and rituals of the ruling elite; and he seeks to understand the period's towering works of the imagination in literature, painting, city planning, and philosophy-not simply as the creations of individual artists, but as the forman expression of the ambitions and egos of those in power.

City-States in Renaissance Italy

Power and Imagination

Florencia y la conspiración contra los Médicis

Sangre de abril

One of the world's leading historians of Renaissance Italy brings to life here the vibrant--and violent--society of fifteenth-century Florence. His disturbing narrative opens up an entire culture, revealing the dark side of Renaissance man and politician Lorenzo de' Medici. On a Sunday in April 1478, assassins attacked Lorenzo and his brother as they attended Mass in the cathedral of Florence. Lorenzo scrambled to safety as Giuliano bled to death on the cathedral floor. April Blood moves outward in time and space from that murderous event, unfolding a story of tangled passions, ambition, treachery, and revenge. The conspiracy was led by one of the city's most noble clans, the Pazzi, financiers who feared and resented the Medici's swaggering new role as political bosses--but the web of intrigue spread through all of Italy. Bankers, mercenaries, the Duke of Urbino, the King of Naples, and Pope Sixtus IV entered secretly into the plot. Florence was plunged into a peninsular war, and Lorenzo was soon fighting for his own and his family's survival. The failed assassination doomed the Pazzi. Medici revenge was swift and brutal--plotters were hanged or beheaded, innocents were hacked to pieces, and bodies were put out to dangle from the windows of the government palace. All remaining members of the larger Pazzi clan were forced to change their surname, and every public sign or symbol of the family was expunged or destroyed. April Blood offers us a fresh portrait of Renaissance Florence, where dazzling artistic achievements went side by side with violence, craft, and bare-knuckle politics. At the center of the canvas is the figure of Lorenzo the Magnificent--poet, statesman, connoisseur, patron of the arts, and ruthless "boss of bosses." This extraordinarily vivid account of a turning point in the Italian Renaissance is bound to become a lasting work of history.

Florence and the Plot against the Medici

A gripping and beautifully written narrative that reads like a novel, Fire in the City presents a compelling account of a key moment in the history of the Renaissance, illuminating the remarkable man who dominated the period, the charismatic Girolamo Savonarola. Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in "the bonfire of the vanities." But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. Here, Savonarola emerges as a complex and subtle man, both a religious and a civic leader--who inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence. For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.

Savonarola and the Struggle for the Soul of Renaissance Florence

Fire in the City

A picture of representative humanists of the Quattrocento, based on manuscript material in the Florence state archives. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Social World of Florentine Humanists, 1390-1460

An Italian Renaissance Sextet is a collection of six tales offering a unique view of the history of Renaissance Italy, with fiction and fictional modes becoming gateways to a real, historical world. All written between 1400 and 1500 - among them a rare gem by Lorenzo the Magnificent and a famous account featuring Filippo Brunelleschi - the stories are presented here in lively translations. As engrossing, fresh, and high-spirited as those in Boccaccio's Decameron, the tales deal with marriage, deception, rural manners, gender relations, social ambitions, adultery, homosexuality, and the demands of individual identity. Each is accompanied by an essay, in which Lauro Martines situates the story in its temporal context, transforming it into an outright historical document. The stories and essays focus mainly on people from the ordinary and middling ranks of society, as they go about their ordinary lives, under the pressure of a highly practical, conformist, pleasure-loving (but often cruel) urban society. Revealing the concerns of a searching historical work with a combined anthropological, demographic, and cultural slant, An Italian Renaissance Sextet shines a probing light on Italian Renaissance culture.

Six Tales in Historical Context

An Italian Renaissance Sextet

Julius Kirshner

Lawrin David Armstrong

The Politics of Law in Late Medieval and Renaissance Italy features original contributions by international scholars on the fortieth anniversary of the publication of Lauro Martines' Lawyers and Statecraft in Renaissance Florence, which is recognized as a groundbreaking study challenging traditional approaches to both Florentine and legal history. Essays by leading historians examine the professional, social, and political functions of Italian jurists from the thirteenth to the late fifteenth centuries. The volume also examines the use of emergency powers, the critical role played by jurists in mediating the rule of law, and the adjudication of political crimes. The Politics of Law in Late Medieval and Renaissance Italy provides both an assessment of Martines' pioneering archival scholarship as well as fresh insights into the interplay of law and politics in late medieval and Renaissance Italy.

Lauro Martines

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