Claire G. Coleman

Julie Robinson

Leigh Robb

This full-colour publication features the work of the twenty-four participating artists and collaborations in the 2020 Adelaide Biennial of Australian Art: Monster Theatres, as well as insightful texts on the practice of these leading Australian artists by curator Leigh Robb. Senior Curator Julie Robinson charts the history of monsters in art and award-winning author Claire G. Coleman explores their contemporary manifestations.Monster Theatres invites artists to make visible the monsters of our time. Leigh Robb says 'Monsters ask us to interrogate our relationships with each other, the environment and technology. They force us to question our empathy towards difference across race, gender, sexuality and spirituality'.Monster Theatres proposes an arena of speculation, a circus of the unorthodox and the absurd, a shadow play between truth and fiction. The title is inspired by a group of provocative Australian artists. Their urgent works of art are warnings made manifest. These theatres are theirs.

Monster Theatres: 2020

Gillian Brown

Jenna McKenzie

Louise Haselton offers glimpses of the curious inner lives of everyday and overlooked things. From the domestic to the exotic, the natural to the 'made', she distinctively intuits connections between seemingly disparate material vernaculars. Haselton believes in the invisible forces that bind and repel the world around us. With a witty reverence for the objects and materials she engages with, Haselton explores the communicative possibilities of weight, balance and form within her predominantly sculptural works. Her practice is unexpected, unconventional, and exemplary of an artist especially attuned to the matters which surround us. Louise Haselton: Act natural is a compendium of Haselton's works to date including illustrated essays chronicling the inspirations, influences and ideas behind her extraordinary practice of the last twenty-five years.

Leigh Robb

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