Leonardo Padura

A gripping novel about the assassination of Leon Trotsky in Mexico City in 1940.

ال رجل الذ كن يهب الكلب

"En 2004, a la muerte de su mujer, Iván, aspirante a escritor y ahora responsable de un paupérrimo gabinete veterinario de La Habana, vuelve los ojos hacia un episodio de su vida, ocurrido en 1977, cuando conoció a un enigmático hombre que paseaba por la playa en compañía de dos hermosos galgos rusos. Tras varios encuentros, 'el hombre que amaba a los perros' comenzó a hacerlo depositario de unas singulares confidencias que van centrándose en la figura del asesino de Trotski, Ramón Mercader, de quien sabe detalles muy íntimos. Gracias a esas confidencias, Iván puede reconstruir las trayectorias vitales de Liev Davídovich Bronstein, también llamado Trotski, y de Ramón Mercader, también conocido como Jacques Mornard, y cómo se convierten en víctima y verdugo de uno de los crímenes más reveladores del siglo XX. Desde el destierro impuesto por Stalin a Trotski en 1929 y el penoso periplo del exiliado, y desde la infancia de Mercader en la Barcelona burguesa, sus amores y peripecias durante la Guerra Civil, o más adelante en Moscú y París, las vidas de ambos se entrelazan hasta confluir en México. Ambas historias completan su sentido cuando sobre ellas proyecta Iván sus avatares vitales e intelectuales en la Cuba contemporánea y su destructiva relación con el hombre que amaba a los perros." --From publisher's description.

El hombre que amaba a los perros

A gripping novel about the assassination of Leon Trotsky in Mexico City in 1940 In The Man Who Loved Dogs, Leonardo Padura brings a noir sensibility to one of the most fascinating and complex political narratives of the past hundred years: the assassination of Leon Trotsky by Ramón Mercader. The story revolves around Iván Cárdenas Maturell, who in his youth was the great hope of modern Cuban literature--until he dared to write a story that was deemed counterrevolutionary. When we meet him years later in Havana, Iván is a loser: a humbled and defeated man with a quiet, unremarkable life who earns his modest living as a proofreader at a veterinary magazine. One afternoon, he meets a mysterious foreigner in the company of two Russian wolfhounds. This is "the man who loved dogs," and as the pair grow closer, Iván begins to understand that his new friend is hiding a terrible secret. Moving seamlessly between Iván's life in Cuba, Ramón's early years in Spain and France, and Trotsky's long years of exile, The Man Who Loved Dogs is Padura's most ambitious and brilliantly executed novel yet. This is a story about political ideals tested and characters broken, a multilayered epic that effortlessly weaves together three different plot threads-- Trotsky in exile, Ramón in pursuit, Iván in frustrated stasis--to bring emotional truth to historical fact. A novel whose reach is matched only by its astonishing successes on the page, The Man Who Loved Dogs lays bare the human cost of abstract ideals and the insidious, corrosive effects of life under a repressive political regime.

A Novel

The Man Who Loved Dogs

When Lieutenant Condo is roused from a terrible hangover and asked to investigate the disappearance of an old schoolmate that married the girl of his dreams, his desire for her threatens the already-sensitive investigation.

Havana Blue

رواية حياتي

Como polvo en el viento

A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author In 1939, the Saint Louis sails from Hamburg into Havana’s port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear. Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel’s son to travel to Cuba to track down the story of his family’s lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana. In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt’s gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura’s novel is as compelling, mysterious, and enduring as the painting at its center.

Heretics

A frustrated writter recalls an encounter three years earlier on the beach in Cuba with a mysterious man and his two russian dogs.

O homem que gostava de cães

Köpekleri Seven Adam

El primer fin de semana de 1989 una insistente llamada de teléfono arranca de su resaca al teniente Mario Conde, un policía escéptico y desengañado. El Viejo, su jefe en la Central, le llama para encargarle un misterioso y urgente caso: Rafael Morín, jefe de la Empresa de Importaciones y Exportaciones del Ministerio de Industrias, falta de su domicilio desde el día de Año Nuevo. Quiere el azar que el desaparecido sea un ex compañero de estudios de Conde, un tipo que ya entonces, aun acatando las normas establecidas, se destacaba por su brillantez y autodisciplina. Por si fuera poco, este caso enfrenta al teniente con el recuerdo de su antiguo amor por la joven Tamara, ahora casada con Morín. "El Conde" –así le conocen sus amigos–, irá descubriendo que el aparente pasado perfecto sobre el que Rafael Morín ha ido labrando su brillante carrera ocultaba ya sus sombras.

Pasado perfecto

Esta premiadíssima e audaciosa obra do cubano Leonardo Padura, traduzida para vários países (como Espanha, Cuba, Argentina, Portugal, França, Inglaterra e Alemanha), é e não é uma ficção. A história é narrada, no ano de 2004, pelo personagem Iván, um aspirante a escritor que atua como veterinário em Havana e, a partir de um encontro enigmático com um homem que passeava com seus cães, retoma os últimos anos da vida do revolucionário russo Leon Trotski, seu assassinato e a história de seu algoz, o catalão Ramón Mercader, voluntário das Brigadas Internacionais da Guerra Civil Espanhola e encarregado de executá-lo. Esse ser obscuro, que Iván passa a denominar "o homem que amava os cachorros", confia a ele histórias sobre Mercader, um amigo bastante próximo, de quem conhece detalhes íntimos. Diante das descobertas, o narrador reconstrói a trajetória de Liev Davidovitch Bronstein, mais conhecido como Trotski, teórico russo e comandante do Exército Vermelho durante a Revolução de Outubro, exilado por Joseph Stalin após este assumir o controle do Partido Comunista e da URSS, e a de Ramón Mercader, o homem que empunhou a picareta que o matou, um personagem sem voz na história e que recebeu, como militante comunista, uma única tarefa: eliminar Trotski. São descritas sua adesão ao Partido Comunista espanhol, o treinamento em Moscou, a mudança de identidade e os artifícios para ser aceito na intimidade do líder soviético, numa série de revelações que preenchem uma história pouco conhecida e coberta, ao longo dos anos, por inúmeras mistificações.

O homem que amava os cachorros

Alejo Carpentier

Adrian Nathan West

Lost Steps

Quarteto de Havana I

Máscaras

Herejes

Havana Black (Mario Conde Mystery 2)

رواية هيت

وداعا همنغوي

Čovek"t , koito obicaše kucetata

From Leonardo Padura—whose crime novels featuring Detective Mario Conde form the basis of Netflix’s Four Seasons in Havana—The Transparency of Time sees the Cuban investigator pursuing a mystery spanning centuries of occult history. Mario Conde is facing down his sixtieth birthday. What does he have to show for his decades on the planet? A failing body, a slower mind, and a decrepit country, in which both the ideals and failures of the Cuban Revolution are being swept away in favor of a new and newly cosmopolitan worship of money. Rescue comes in the form of a new case: an old Marxist turned flamboyant practitioner of Santería appears on the scene to engage Conde to track down a stolen statue of the Virgen de Regla—a black Madonna. This sets Conde on a quest that spans twenty-first century Havana as well as the distant past, as he delves as far back as the Crusades in an attempt to uncover the true provenance of the statue. Through vignettes from the life of a Catalan peasant named Antoni Barral, who appears throughout history in different guises—as a shepherd during the Spanish Civil War, as vassal to a feudal lord—we trace the Madonna to present-day Cuba. With Barral serving as Conde’s alter ego, unstuck in time, and Conde serving as the author’s, we are treated to a panorama of history, and reminded of the impossibility of ever remaining on its sidelines, no matter how obscure we may think our places in the action. Equal parts The Name of the Rose and The Maltese Falcon, The Transparency of Time cements Leonardo Padura’s position as the preeminent literary crime writer of our time.

Leonardo Padura

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