Robert Penn Warren

R. W. B. Lewis

Cleanth Brooks

Lewis P. Simpson

James A. Grimshaw, Jr., brings together for the first time more than 350 letters exchanged by two scholars who altered the way literature is taught in this country. The selected letters focus on the development of their five major textbooks--the rationale for selections, the details involved in obtaining permissions and preparing indexes, and the demands of meeting deadlines. More important, these letters reveal their attitudes toward literature, teaching, and scholarship. Providing insight into two of the most influential literary minds of this century, these letters show two men who were deeply involved in research and writing, and who were committed to a life of travel, conversation, and learning. Their zest for life and their love of literature explain, in part, their uncanny ability to persevere and to succeed. Yet their human qualities are also present in the letters, which bring Brooks and Warren to life as rare individuals able to sustain a deep, lifelong friendship. Cleanth Brooks and Robert Penn Warren will help readers better understand the critical work of Brooks and the creative work of Warren. Students and teachers of American literature will find this book indispensable.

A Literary Correspondence

Cleanth Brooks and Robert Penn Warren

Lewis P. Simpson towers among scholars of American literary studies, as an intellectual historian of the South and American literary culture and a revered essayist. His last book, Imagining Our Time, offers a wide-ranging, erudite, and enlightening look at the culture of letters in American society. Primarily through an examination of the works of some of the leading writers of the twentieth century, many of whom Simpson knew intimately, this final volume provides insight into the struggles and concerns unique to prominent American thinkers, literary artists, and critics contemporary to his own lifetime. Often moving from an intriguing anecdote or recollection to a rigorous discussion of ideas, Simpson’s style is captivating. He begins with speculation on Eric Voegelin’s interest in Julien Benda’s polemic La Trahison des Clercs and follows with thoughts on the declining faith in the university as an embodiment of humanistic letters and learning, surveying the American Republic as far back as Benjamin Franklin. In successive chapters, Simpson pays tribute to Malcolm Cowley as a "hero of the literary art" and probes Robert Penn Warren’s fixation with Thomas Jefferson as manifested in the writing and complete rewriting of Brother to Dragons. He ruminates on the vocation of the critic as practiced by Lionel Trilling and Diana Trilling, and the literary and cultural politics of the 1930s. Brief portraits of Andrew Lytle and Louis D. Rubin, Jr., appear, as well as a poignant argument for the autobiographical cast of Eudora Welty’s writing. A lengthy, riveting consideration of Simpson’s friend Walker Percy and Percy’s quest for identity as a modern Christian novelist alienated from the society around him forms the core of the volume. Fred Hobson’s introduction fittingly rounds out Imagining Our Time, offering an intimate appreciation of Lewis Simpson-who will remain a giant among scholars of southern literary studies.

Recollections and Reflections on American Writing

Imagining Our Time

James Olney

Jo Gulledge

Donald E. Stanford

In the twenty years of its existence, the second series of the Southern Review continued the editorial orientation of the first series by presenting a range of regional and cosmopolitan works of fiction. This anthology is a collection of twenty-five short stories from the nearly three hundred published in the journal between 1965 and 1985. The editors have sought to illustrate the diversity of subject matter and the tremendous range of tone, voice, and technique that have characterized short fiction in the Southern Review. Although many of the contributors to Selected Stories from the “Southern Review” are southern, the collection also includes national and international, new and established writers. The focus of the anthology is on literary merit rather than regional considerations. “Abroad” by Nadine Gordimer, which depicts the experiences of a white South African visiting his son in Zimbabwe, is in the collection, along with John William Corrington’s “Pleadings,” the powerful account of an incident in the life of a south Louisiana attorney. Mary Lavin’s “The Face of Hate” addresses life amidst the conflict in Northern Ireland, and Elizabeth Spencer’s “The Cousins” explores the entanglements and coming of age of five young adults on a European vacation. Joyce Carol Oates’s “Détente” interweaves the personal and political aspects of a Soviet-American literary conference, and Robb Forman Dew follows the adventures of two naive Natchez girls in New Orleans in “Two Girls Wearing Perfume in the Summer.” From Louis D. Rubin’s tentative young newspaperman in “The St. Anthony Chorale” to William Mills’s sure-footed X-ray technician in “Sweet Tickfaw Run Softly, Till I End My Song,” from Rita Dove’s compelling “Secondhand Man” to John E. Wildeman’s Satirical “Surfiction”—these are characters and stories from the new series of the Southern Review which offer resounding proof that the brilliant publishing tradition originating with Cleanth Brooks and Robert Penn Warren has been preserved by a magazine that still maintains its national literary reputation.

Selected Stories from the Southern Review

Lewis P. Simpson

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