China Miéville

Susan Abulhawa

Henning Mankell

Chinua Achebe

Geoff Dyer

Michael Ondaatje

Linda Spalding

Adam Foulds

Pankaj Mishra

Claire Messud

Kamila Shamsie

Teju Cole

Deborah Moggach

Michael Palin

J.M. Coetzee

Raja Shehadeh

Rachel Holmes

Sabrina Mahfouz

William Sutcliffe

Mohammed Hanif

Molly Crabapple

Alice Walker

Mahmoud Darwish

Ed Pavlic

Gillian Slovo

Ru Freeman

Najwan Darwish

Jeremy Harding

Yasmin El-Rifae

Suheir Hammad

Mercedes Kemp

John Horner

Suad Amiry

Bridget Keenan

Jehan Bseiso

Atef Abu Saif

Omar El-Khairy

Selma Dabbagh

Remi Kanazi

Muiz,

Ghada Karmi

Maath Musleh

Nancy Kricorian

Nathalie Handal

Victoria Brittain

Jamal Mahjoub

Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations. Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.

Reportage & Reflection from the Palestine Festival of Literature

This Is Not A Border

As the deeply moving and troubling account of a family's breakdown, A Reckoning is the perfect companion to Linda Spalding's bestselling, award-winning novel, The Purchase. It opens in the spring of 1855, when John Dickinson is involved in a shameful secret that will require a tragic decision. The family's resources have been wasted by a reckless brother who holds all of them hostage and, adding fuel to John's desperation, the enslaved workers have been visited by a Canadian abolitionist who pushes them to escape. Bry does, and his pursuit of freedom will involve a dangerous quest to find his mother and child in Canada. Meanwhile, the Dickinsons become fugitives of another kind, escaping their losses in a wagon en route to the West that will eventually be loaded onto a Missouri river boat for a dark adventure. Forests and rivers prevail in this story, and each person will be tested, especially thirteen-year-old Martin, whose lonely journey with a pet bear is almost mythic. Spalding, a Kansas native who lives in Toronto, writes with irresistible force and breathtaking passion. Her language is stunning, her voice unique. A Reckoning confirms her place at the forefront of Canadian literature.

A Reckoning

In 1798, Daniel Dickinson, a young Quaker father and widower, leaves his home in Pennsylvania to establish a new life. He sets out with two horses, a wagonful of belongings, his five children, a 15-year-old orphan wife, and a few land warrants for his future homestead. When Daniel suddenly trades a horse for a young slave, Onesimus, it sets in motion a struggle in his conscience that will taint his life forever, and sets in motion a chain of events that lead to two murders and the family's strange relationship with a runaway slave named Bett. Stripped down and as hard-edged as the realities of pioneer life, Spalding's writing is nothing short of stunning, as it instantly envelops the reader in the world and time of the novel, and follows the lives of unforgettable characters. Inspired by stories of the author's own ancestors, The Purchase is a resonant, powerful and timeless novel.

The Purchase

Esta Spalding

Persephone revisited: a unique mother-and-daughter story written by amother-and-daughterliterary team Mere’s young life is confined to the wind and water, the boat that shelives on docking only long enough to stop at the grocery store orvisit the library, but never long enough to take out any books. Thatwould mean having a library card, and a library card would meanrevealing your name on a government form. Mere, her mother, Faye, and Mark, the mysterious teenage runawaywho shares their boat, seem destined to sail around the Great Lakesforever, navigating the Persephone through the deep waters, stoppingin Toronto twice a year to pick up envelopes of cash left with thedockmaster. Faye is a fugitive, still pursued for her part in the violentone-year anniversary events marking Chicago’s 1968 “Days ofRage”—a seminal student protest against the Vietnam war. NowMerril, Mere’s father, has suddenly appeared on the boat after manyyears. The authorities are looking for him and Faye is his ticket tofreedom. But, in a desperate bid for her own adolescent freedom,Mere makes a choice that will change everything. Mere is a wonderfully electric novel about the inexorable bondbetween mothers and daughters, written by two of Canada’s mosttalented writers—themselves mother and daughter. Rich in itsallegorical and sociological strands, it reaches into the Greek myth ofPersephone; it explores a woman’s primeval need to protect herchild; and it lays bare the explosive events of a touchstone period inour history. A novel of choices and consequences, betrayal andatonement, Mere builds lyrically to a shattering climax, an endingthat haunts long after the last page is turned.

Mere Tpb

It’s 1855, and the Dickinson farm, in the bottom corner of Virginia, is already in debt when a Northern abolitionist arrives and creates havoc among the slaves. Determined to find his mother and daughter, who are already free in Canada, Bry is the first slave to flee, and his escape inspires a dozen others. Soon, the farm, owned by one brother and managed by another, is forfeited to the bank. One of the brothers, who is also a circuit-riding preacher, gathers his flock into a wagon train to find a new life in the west. But John Dickinson has a dangerous secret that compels him to abandon the group at the last minute, and his wife, two daughters, and thirteen-year-old son, Martin, now face life on the trail and an unknown future alone. After a fateful encounter along the way, Martin and Bry will hatch a plot to get Bry safely to Canada, but each member of the family will be changed, tormented, excited, and exposed by the journey. Linda Spalding brings an astonishing empathy to the telling of the fate of each of the travelers and to their shifting inner lives—compoundedof grief, fear, anger, and hope. Rich in character and incident, A Reckoning brilliantly-creates an America that was: the undefiled beauty of its lands and the grand mix of settlers and Native Americans; blacks and whites; riverboat captains, small businessmen, and people leaving one life behind for another they can only just begin to see. It moves with irresistible force toward an ending at once cataclysmic, inevitable, and profound.

A Novel

Spalding takes readers on a fascinating journey through Borneo's threatened jungles on the trail of infamous orangutan researcher Birute Galdikas.

Following Leakey's Last Angel Into Borneo

A Dark Place in the Jungle

Follow writer Linda Spalding to Borneo's threatened jungles on the trail of orangutan researcher Birute Galdikas, who together with Dian Fossey and Jane Goodall formed the famed trio of angels Louis Leakey encouraged to study great apes in the wild. She went into the jungle in 1971 and emerged decades later with a run-down empire crumbling around her. Spalding confronts the sad failure of a woman trying desperately to mother a species to survival; the dangers and temptations of eco-tourism; and the arrogance of our inclination to alter the things we set out to save.

Like Ruskin for a new age, Spalding brilliantly interweaves her own life and her subject’s in this story of a sensational murder case. In 1982, as Linda Spalding was about to leave Hawaii and embark on a new life in Canada, she was called to jury duty, sitting for the trial of a young woman charged with murder. Maryann Acker was Mormon, eighteen years old, and married to a petty crook and hustler who had hauled her into a life that led eventually to murder on a hillside above one of Hawaii’s most beautiful beaches. Twenty years later, Spalding stumbles across the journal she kept through the trial, tracks down Maryann, who is still in jail, and begins a journey into memory, into the twists of fate that spin two lives down such different trajectories. The story is Maryann’s but it is also Spalding’s, as subject and writer overlap. Like the work of John Ruskin, Linda Spalding’s writing brilliantly combines autobiography with the examination of an external subject and, in doing so, offers us profound insights into the vagaries of the human heart.

Who Named the Knife

Winner of Canada's 2012 Governor General's Award for Fiction In this provocative and starkly beautiful historical novel, a Quaker family moves from Pennsylvania to the Virginia frontier, where slaves are the only available workers and where the family’s values and beliefs are sorely tested. In 1798, Daniel Dickinson, recently widowed and shunned by his fellow Quakers when he marries his young servant girl to help with his five small children, moves his shaken family down the Wilderness Road to the Virginia/Kentucky border. Although determined to hold on to his Quaker ways, and despite his most dearly held belief that slavery is a sin, Daniel becomes the owner of a young boy named Onesimus, setting in motion a twisted chain of events that will lead to tragedy and murder, forever changing his children’s lives and driving the book to an unexpected conclusion. A powerful novel of sacrifice and redemption set in a tiny community on the edge of the frontier, this spellbinding narrative unfolds around Daniel’s struggle to maintain his faith; his young wife, Ruth, who must find her own way; and Mary, the eldest child, who is bound to a runaway slave by a terrible secret. Darkly evocative, The Purchase is as hard-edged as the realities of pioneer life. Its memorable characters, drawn with compassion and depth, are compellingly human, with lives that bring light to matters of loyalty and conscience. This ebook edition includes a reading group guide.

When a murder occurs in beautiful Hawaii, the suspects are two young mainlanders on their honeymoon. Mayann Acker is eighteen-years-old. Her husband, William, is twenty-eight and just out of prison.Linda Spalding is chosen as a juror for Maryann's trail. Surprisingly, the chief witness against her is William. Spalding has her doubts, but on the last day of the trial she is abruptly dismissed from the jury. Maryann is found guilty. Who Named the Knife is the story of how, eighteen years later, Spalding tracks down Maryann and uncovers much more than the answer to the question of her innocence. A complex journey into the twists of fate that spin two lives down different paths, Who Named the Knife offers profound insight into the human heart.

A True Story of Murder and Memory

Who Named The Knife

Michael Redhill

An Anchor Books Original Seventy-four distinguished writers tell personal tales of books loved and lost–great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission. Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader’s delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, “being lovers of books, we’ve pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory.” Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics. Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara’s Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene–the “slightly ditzy” cousin of Graham; Bill Richardson on a children’s book for adults by Russell Hoban; Ronald Wright on William Golding’s Pincher Martin; Caryl Phillips on Michael Mac Liammoir’s account of his experiences on the set of Orson Welles’s Othello, and much, much more.

Writers on Books Loved and Lost, Overlooked, Under-read, Unavailable, Stolen, Ex tinct, or Otherwise Out of Commission

Lost Classics

Linda Spalding

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