Lise Bender Jørgensen

Enth. u. a. (S. 45-52): Keltische Textilien in der Schweiz / Antoinette Rast-Eicher. [Betr. u. a. Textilien aus Münsingen-Rain.].

Report from the 6th NESAT Symposium, 7-11th May 1996 in Borås

Textiles in European Archaeology

Marie Louise Stig Sørensen

Joanna Sofaer

Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.

Understanding Innovation in Pottery, Textile, and Metalwork Production

Creativity in the Bronze Age

This book is firstly an enormous catalogue of all textile finds from prehistoric, Roman and medieval contexts in Great Britain, Ireland, the Netherlands, Germany, Poland and Scandinavia. This data is used to show that the first steps towards organized textile production in northern Europe were taken more than 2,500 years ago, and that the industry that was to centre itself around the English Channel and North Sea coastal areas played an important part in the rise of the Carolingian Empire and Anglo-Saxon England.

North European Textiles Until AD 1000

This book explores the nature of creativity in the European Bronze Age through developments in pottery, textiles, and metalwork.

Penelope Walton Rogers

Antoinette Rast-Eicher

Textiles were a hugely important Roman industry yet, because of their perishable nature, only fragments remain. These twenty-two essays provide a detailed study of surviving fragments from across the Roman world, from the dry sands of Egypt to the Atlantic coast and the northern frontiers and beyond. The result is a comprehensive reconstruction of both everyday and exotic Roman clothing with information about the influences of fashion and of Roman weaving techniques. Written by friends and colleagues, the contributions are offered as a tribute to John Peter Wild whose own studies of Roman textiles have been the inspiration of so much recent work.

Lise Bender Jørgensen

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