Jennifer Laing

Lloyd Robert Laing

A journey along the historical spectrum of Celtic art, from the rich treasures found throughout Iron Age Europe, through the flowering of metalwork, sculpture and manuscript illumination, to the revivals attempted today.

Art of the Celts

Who were the Picts and the Scots? For a long time the Picts were known almost entirely from their mysterious symbol stones, which generations of scholars have tried to interpret and date. The discovery of the St Ninian's Isle Treasure in 1958 added a new dimension to our understanding of these accomplished people, but still many problems concerning them and their links with Scotland remain unresolved. This account presents the latest archaeological discoveries and discusses the evidence for the relationship between these two peoples, tracing their development from raids on Roman Britain to the formation of rival Dark Age kingdoms that produced a unique artistic inheritance.

The Picts and the Scots

The term 'Dark Ages' was coined to describe a period which was seen as a period of anarchy and violence, following the collapse of civilisation. Recent discoveries by archaeologists and historians have, however, radically altered this traditional view of the Dark Ages, and the period is now seen as one of innovation and dynamic social evolution. This book reconsiders a number of traditionally accepted views. It argues, for example, that the debt of the Dark Age Celts to Rome was enormous, even in areas such as Ireland that were never occupied by Roman invaders. It also discusses the traditional chronology suggesting that the date of 'AD 400' usually taken as the start of the 'early Christian period in Britain and Ireland now has comparatively little meaning. Once this conventional framework is removed, it is possible to show how the Celtic world of the Dark Ages took shape under Roman influence in the centuries between about 200 to 800, and looked to Rome even for the immediate inspiration for its art. Such questions as the extent of British (that is, Celtic) survival in pagan Saxon England, and the Celtic and Roman contribution to early England are considered.

The Myth of the Dark Ages

Celtic Britain and Ireland, AD 200-800

David Longley

The Mote of Mark is a low boss of granite rising from forty-five metres above the eastern shore of Rough Firth, where the Urr Water enters the Solway, between the villages of Kippford and Rockcliffe. The summit comprises a central hollow between two raised areas of rock and was formerly defended by a stone and timber rampart enclosing one third of an acre. The Mote of Mark appears to have first attracted the attention of antiquaries in the late eighteenth century, and first assumed national importance with Alexander Curle's major work in 1913. After the interruption of the First World War, the site was left largely alone until it was re-excavated in the 1970s. These excavations, in 1973 and '79 were designed to answer three specific questions: How many phases of activity are represented in the structural history of the defences? How many phases of activity are represented by the evidence for Early Medieval metalworking and occupation? And, how does the evidence of occupation within the defences relate to the structural history of the defences? This book presents the results of the excavations and their interpretation within the framework of these questions.

A Dark Age Hillfort in South-west Scotland

The Mote of Mark

A reconstruction of an intricate tableau of life in the medieval world, using existing evidence of art and architecture to explore all spheres of life, from the dizzy heights of courtly love to the fields of the humble serf. With major sections on urban, rural and court society, the art and tradition of the church, including detail on leisure, science and new information on the role of women, this book brings to life the imagination, ambitions and everyday realities of the world which formed the foundations of modern western society.

Lloyd Robert Laing

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