Luis Fernández-Galiano

Sejima & Nishizawa, 1990-2007

Sanaa

Vicente Verdú

Bernardo Atxaga

Gilles Lipovetsky

José Javier Esparza

Ana Diosdado

Juan Plazaola

Juan Ángel Vela del Campo

José M.ª Bergareche

Miguel Zugaza

Jean Haritschelhar

Diego Galán

El Forum Deusto ofrece en el presente volumen las conferencias impartidas durante el año 2004 en este ciclo dedicado al arte, la cultura y la comunicación. Somos arte y parte de la sociedad del espectáculo, de ahí que el Forum Deusto haya abordado este año diferentes aspectos de esa implicación.

Arte y parte en la sociedad del espectáculo

Británicos

Cold France

Spree, Postdamer Platz, Friedrichstrasse, Alexanderplatz

Berlín metropolis

Norman Foster

This exhibition, which was held at Ivorypress Art+Books in September 2009, featured 200 drawings by Norman Foster. This catalogue includes the exhibited drawings as well as texts of a series of paneled discussions which were mediated by LuÃÂs FernÃÂ¡ndez Galiano, with contributions from Norman Foster, Richard Long, Deyan Sudjic, Not Vital, Ricky Burdett, Jordi Gual, Saskia Sassen, Stefan Behling and Herbert Girardet. This catalogue is the first in a series devoted to architecture relating to art, sustainability and economy.

Drawings 1958-2008

Sevilla Expo

Lacaton & Vassal.Bordeaux

Strategies of the Essential

Lacaton & Vassal

Guillén Fernández

The author reconstructs the movement from cold to warm architecture, reintroduces energy to the discussion, and reminds the reader the sense of touch is necessary to an understanding of the environment. Illustrations.

On Architecture and Energy

Fire and Memory

Eisenman Architects

Peter Eisenman

Kurt Walter Forster

Peter Eisenman's competition-winning project for the City of Culture of Galicia in Santiago de Compostela, Spain, is a formidable battery of museums, libraries, and auditoriums, a cultural acropolis atop a spectacular hillside site in northeastern Spain. By excavating the hilltop and arranging six buildings as a kind of artificial topography, Eisenman creates a new warped landscape that seems to merge building and ground, that occupies the hilltop without seeming to have been built upon it. In CODEX, the New York-based Eisenman, known for a career of formal investigations, reveals in essays and illustrations his theory of coding as a device for producing form. Through more than three hundred line drawings and perspectives, the development of the code--and the buildings and landscape it informs--becomes apparent, culminating in a giant earthwork as excavation of the site begins.

The City of Culture of Galicia

Code X

Luis Fernández-Galiano

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