Lynda Hart

Stephanie Arnold

The first scholarly collection to discuss the intersection of feminism and dramatic theory

Feminist Essays on Contemporary Women's Theatre

Making a Spectacle

A wonderfully helpful survey of the drama of Sam Shepard. It is bound to find many eager readers among those who are either intrigued or baffled--or both--by the plays of this still-young playwright whom many think contemporary America's finest. Choice America's most highly acclaimed contemporary playwright continues to puzzle critics, even as his reputation grows and his imagination seeks new creative channels. Finding the dramatist difficult to classify, critics and scholars continue to search for the central direction of Shepard's creative development. Lynda Hart's study, which focuses on ten representative plays, is the first book to examine Shepard's growth and development as a dramatist within and against the historical tradition. Offering a unified critical perspective, the author considers the plays from both a literary standpoint and as texts for performance. Resources include a bibliography that offers the most complete listing of relevant critical writings.

Sam Shepard's Metaphorical Stages

In this first book-length study of lesbian s/m, Lynda Hart creates a vivid and compelling counterdiscourse to the erotophobic voices in contemporary cultural debates. Focusing on a variety of representations, from the boundary-shattering work of queer performances to the daring conjunction of childhood sexual abuse and perverse desire in the work of Dorothy Allison, Between the Body and the Flesh situates s/m as a lightning rod that stimulates discussions of censorship in the arts, the fetishization of sexual paraphernalia, recombinations of class, race, and sexuality, and the politics of psychoanalysis.

Performing Sadomasochism

Between the Body and the Flesh

Peggy Phelan

Both a critical account of contemporary feminist performance and illustration of its depth and diversity, Acting Out is essential reading for anyone interested in feminist theory, sexual difference, queer theory, or the politics of contemporary performance. Contributors include Philip Auslander, C. Carr, Kate Davy, Joyce Devlin, Elin Diamond, Jill Dolan, Hillary Harris, Lynda Hart, Lynda M. Hill, Julie Malnig, Vivan M. Patraka, Peggy Phelan, Janelle Reinelt, Sandra L. Richards, Amy Robinson, Judy C. Rosenthal, Rebecca Schneider, Raewyn Whyte, and Yvonne Yarbro-Bejarano.

Lynda Hart

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