Aristotle

Malcolm Heath

Provides a translation of Aristotle's classic study of the nature of poetry.

Poetics

Christopher T Green

Fabio Serranito

Religion and Belief: A Moral Landscape is a collection of essays from the 4th Annual Postgraduate Interdisciplinary Conference at the Department of Classics, University of Leeds. The book collates a wide range of issues and initiates a discussion on the nuances and multifaceted concepts of religion and belief. The topics range from ancient Greek religion and philosophy, through the Roman world and early Judeo-Christian beliefs, to modern burial practices and 21st century ‘New-Atheism’. By presenting religion and belief in this macrocosmic landscape, simple conceptions and caricatures of religion and belief are shown to be mis-leading and ultimately redundant. This book engages with the complex and multi-faceted nature of religion and belief across time.

A Moral Landscape

Religion and Belief

Pierre Destrée

Dana L. Munteanu

This volume integrates aspects of the Poetics into the broader corpus of Aristotelian philosophy. It both deals with some old problems raised by the treatise, suggesting possible solutions through contextualization, and also identifies new ways in which poetic concepts could relate to Aristotelian philosophy. In the past, contextualization has most commonly been used by scholars in order to try to solve the meaning of difficult concepts in the Poetics (such as catharsis, mimesis, or tragic pleasure). In this volume, rather than looking to explain a specific concept, the contributors observe the concatenation of Aristotelian ideas in various treatises in order to explore some aesthetic, moral and political implications of the philosopher’s views of tragedy, comedy and related genres. Questions addressed include: Does Aristotle see his interest in drama as part of his larger research on human natures? What are the implications of tragic plots dealing with close family members for the polis? What should be the role of drama and music in the education of citizens? How does dramatic poetry relate to other arts and what are the ethical ramifications of the connections? How specific are certain emotions to literary genres and how do those connect to Aristotle’s extended account of pathe? Finally, how do internal elements of composition and language in poetry relate to other domains of Aristotelian thought? The Poetics in its Aristotelian Context offers a fascinating new insight to the Poetics, and will be of use to anyone working on the Poetics, or Aristotelian philosophy more broadly.

Malcolm Heath

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