Marco Fantuzzi

Achilles in Love: Intertextual Studies traces the escapades of Achilles' erotic history, whether in same-sex or opposite-sex relationships, and how they were developed and revealed, or elided and concealed, in the writing and visual arts following Homer. The volume investigates how different authors and artists responded to this most controversial aspect of Achilles' character, in comparison to the fiery personality that was shaped by the Iliad and was often considered 'canonical' for his character. Through analyzing Achilles in love from the time of Homer all the way down to the Latin poets of the first century BC and AD, the Ilias Latina, and the authors and iconography of the imperial age, this book makes both novel and productive connections between poetic texts, pictorial images, and literary genres which tried time and time again to capture Achilles' ever-shifting role within the world of eros.

Intertextual Studies

Achilles in Love

Richard L. Hunter

la poesia ellenistica da Alessandro Magno ad Augusto

Muse e modelli

Richard Hunter

Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus.

Tradition and Innovation in Hellenistic Poetry

The tragedy Rhesus has come down to us among the plays of Euripides but was probably the work either of fourth-century BC actors or producers heavily rewriting his original play or of a fourth-century author writing in competition. This edition explores the play as a 'postclassical' tragedy, composed when the plays of Aeschylus, Sophocles and Euripides had become the 'classical' canon. Its stylistic mannerisms, cerebral re-use of the motifs and language of fifth-century tragedy, and endemic experimentalism with various models of intertextuality exemplify the anxiety of influence of the Rhesus as a text that 'comes after' fifth-century drama and Book 10 of the Iliad. The anachronistic adaptations of the world of the epic heroes to the new reality of the polis and the irresistible rise of Macedonian power also reveal the Rhesus attempting to be both seriously intertextual with its models and seriously different from them.

The Rhesus Attributed to Euripides

Helen Morales

Tim Whitmarsh

Harnesses the insights generated by 30 years of reception studies to enhance the study of classical Greek literature.

Marco Fantuzzi

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