Margaret Iversen

Why chance remains a key strategy in artists' investigations into the contemporary world. The chance situation or random event—whether as a strategy or as a subject of investigation—has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why—a century after Dada and Surrealism's first systematic enquiries—does chance remain a key strategy in artists' investigations into the contemporary world? The writings in this anthology examine the gap between intention and outcome, showing it to be crucial to the meaning of chance in art. The book provides a new critical context for chance procedures in art since 1900 and aims to answer such questions as why artists deliberately set up such a gap in their practice; what new possibilities this suggests; and why the viewer finds the art so engaging. Artists surveyed include Vito Acconci, Bas Jan Ader, Francis Alÿs, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli & Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Wolfgang Tillmans, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young Writers include Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H. D. Buchloh, Stanley Cavell, Lynne Cooke, Fei Dawei, Gilles Deleuze, Anna Dezeuze, Russell Ferguson, Branden W. Joseph, Siegfried Kracauer, Jacques Lacan, Susan Laxton, Sarat Maharaj, Midori Matsui, John Miller, Alexandra Munroe, Gabriel Pérez Barreiro, Jasia Reichardt, Julia Robinson, Eric L. Santner, Sarah Valdez, Katharina Vossenkuhl

Chance

Francis Barker

Peter Hulme

In Cannibalism and the Colonial World, an international team of specialists from a variety of disciplines discusses the historical and cultural significance of Western fascination with the topic of cannibalism. Addressing the image as it appears in a series of texts--popular culture, film, literature, travel writing and anthropology--the essays range from classical times to contemporary critical discourse. This group of literary and anthropological scholars places the discussion of cannibalism in the context of postcolonial and cultural studies.

Cannibalism and the Colonial World

Dana Arnold

Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought. Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought. Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks. Introduces the reader to the dynamic interface between philosophical reflections and art practices. Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

Art and Thought

Rachel Kent

Cornelia Parker is well known for her transformation of everyday objects into unexpected, haunting scenarios - things are exploded, shot, turned back to front and rearranged in often surprising ways. Working with sculpture and installation, as well as drawing, photography and film, Parker positions her subjects at the very moment of their transformation, suspended in time and completely still. This catalogue features over forty artworks from across the artist's career, including large-scale installations, embroideries, works on paper, video works, and a selection of small-scale sculptures and objects. Highlights include 6 major installation works, including Thirty Pieces of Silver (1988-1989), Cold Dark Matter: An Exploded View (1991), Magna Carta (An Embroidery) (2015) and War Room (2015). Alongside these major pieces will be a selection of works the artist created during her appointment as the 2017 Election Artist for the UK General Election, as well as her Avoided Object series of smaller-scale works, in which the artist has transformed everyday objects through processes of burning, squashing and flattening.

Cornelia Parker

Diana Loxley

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Literature Politics & Theory

Stephen Melville

Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.

Margaret Iversen

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