Ed Atkins

Hilton Als

Rosi Braidotti

Margot Norton

Lili Reynaud-Dewar

Gary Carrion-Murayari

Lisa Phillips

Beatrix Ruf

Cindy Sherman

Natasha Hoare

Yilmaz Dziewior

Sigizmund Krzhizhanovsky

Hassan Khan

Nida Ghouse

Daria Martin

Pipilotti Rist

Laure Prouvost

Natalie Bell

Hendrik Folkerts

Ragnar Kjartansson

Anri Sala

Klara Lidén

Helga Christoffersen

Cally Spooner

Francesca Altamura

Joh Akomfrah

Jonathas de Andrade

Arju Appadurai

Camille Henrot

Maha Maamoun

Aleya Hamza

Cheng Ran

Mounira Al Solh

Eva Heisler

Rya Trecartin

Elodie Evers

Wong Ping

Memories of the Future

Strange Days

Massimiliano Gioni

A monograph on the acclaimed French-Albanian artist Anri Sala, whose multichannel installations explore the perception of sound and images in relation to architectural spaces. Since his debut film, Intervista (Finding the Words) (1998), to his recent installations that explore spatial and temporal manipulations of music, Anri Sala has developed a widely acclaimed multimedia practice founded in the interplay of images, sound and architectural space. Probing notions of memory and time—both personal and historical—Sala’s works engage the viewer’s awareness of being present while calling attention to the political dynamics of space. Anri Sala: Answer Me is an overview of Sala’s career to date. Essays by Natalie Bell, Tacita Dean, Mark Godfrey, Boris Groys and Christine Macel, and an interview with the artist by Massimiliano Gioni, offer new perspectives on Sala’s oeuvre and guide readers through the development of his practice.

Anri Sala: Answer Me

Jenny Moore

This book looks at art made and exhibited in New York over the course of one year, providing a synchronic panorama in which established artists and emerging figures of the time are presented alongside the work of authors whose influence has since faded from the discussion. Centering on the year 1993, the exhibition is conceived as a time capsule, an experiment in collective memory that attempts to capture a specific moment at the intersection of art, pop culture, and politics. The exhibition draws its subtitle from the eponymous album that the New York rock band Sonic Youth recorded in 1993 and captures the complex exchange between mainstream and underground culture across disciplines, which came to define the art of the era. The New Museum's exhibition will include a number of historical reconstructions of important installations and exhibitions from 1993, while other works will be revisited and reinterpreted from the vantage point of today, highlighting the ways in which certain actions, events, attitudes, and emotions reverberate towards the present. These works will sketch out the complex intersection between art and the world at large that defined the 1990s and continues to shape artistic expression today.

Experimental Jet Set, Trash and No Star

NYC 1993

A major survey including new and celebrated works by Turner Prize–winning artist Chris Ofili. Set to accompany the first major museum show in the United States of contemporary British artist Chris Ofili, this richly illustrated volume surveys two decades of artworks that meld figuration, abstraction, and decoration to yield hybrid juxtapositions of high and low culture. Best known for intricately constructed works featuring beadlike dots of paint, elephant dung, and images culled from popular media, Ofili’s unique lexicon combines African culture, Western art history, and hip-hop music, spanning a wide variety of sources which include the Bible, Zimbabwean cave paintings, Blaxploitation films, and William Blake’s poems. Animated by exotic characters, outlandish landscapes, and folkloric myths, Ofili’s most recent work resonates with references to the paintings of Henri Matisse and Paul Gauguin. This compelling new book offers a fresh perspective on the artist’s vital practice, which both celebrates and calls into question the power of images and their ability to address fundamental questions of representation.

Chris Ofili: Night and Day

Jamillah James

The official catalogue for the 2021 New Museum Triennial, a global survey of today's up-and-coming artists. The New Museum's Triennial, curated by Jamilla James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the 2021 Triennial showcases 40 artists and collectives reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media.00Exhibition: New Museum, New York, USA (10.07.2021 - 01.23.2022).

2021 New Museum Triennial

Soft Water Hard Stone

Sensuality and abjection in the sculpture of an artist who expressed the female experience unapologetically and presciently This catalog considers the pivotal turning points in the Polish artist Alina Szapocznikow's (1926-73) life and career from the late 1950s to the early 1970s. It considers her experimental approach to materials, ranging from plaster and bronze to her groundbreaking use of polyester resin in the mid-1960s. Szapocznikow's work maps her engagement with her own body as it transformed from healthy to ailing. Her art amounts to a powerful meditation on what she once described as "a fleeting instant, a trivial instant ... our terrestrial passage." These sensual casts and sculptures of body parts are ecstatic and abject, playful and disturbing, direct and elusive. Unapologetic in their expression of the female experience, including that of terminal illness, Szapocznikow's works remain hauntingly relevant today. Featuring new photography, the publication aims to render the tactility and spatiality of these works in brilliant new detail.

To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972

The most thorough survey of the provocative British artist, sculptor, and photographer, Sarah Lucas, one of the most important living British artists Sarah Lucas, having emerged in the UK in the late 1980s alongside artists including Tracey Emin and Damien Hirst, gained notoriety for her bawdy and irreverent sculptures. Often using found objects, Lucas provokes viewers with works that challenge our notions of gender, sexuality, and identity. Featuring eight essays and an interview with the artist, this volume reveals the breadth and complexity of Lucas's work in sculpture, photography, and installation over the past three decades.

Au Naturel

Sarah Lucas

Margot Norton

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