Paul Eluard

Marilyn Kallet

Paul Eluard (1895-1952) is widely considered to be one of France's most important poets. This bilingual edition translates Eluard's marvelous books of Last Love Poems composed during 1946-1951. Included is an enlightening introduction covering Eluard's later works.

Last Love Poems of Paul Eluard

Judith Ortiz Cofer

How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of "doing it all" that face women writers as the twenty-first century approaches. With eloquence, sensitivity, and more than a touch of wry humor, Sleeping with One Eye Open relates positive stories from women who lead effective lives as artists, emphasizing how sources of inspiration, discipline, resourcefulness, and determination help them succeed despite the obstacle of "no time." The title essay, Judith Ortiz Cofer's "The Woman Who Slept with One Eye Open," defines the collection. Cofer relates the ways in which a mythological story from her Puerto Rican culture gave her confidence and courage, encouraging her creative success and emphasizing the rewards of "women's power" and personal strength. Denise Levertov's "The Vital Necessity" urges poets to make time for daydreams--essential, empowering creative food. Tillie Olsen offers a frank discussion of the pressures of work and expectations that too often sap creative energy. Tess Gallagher connects her mother's creative gardening with her own inspiration as a poet and the need for growth in her writing. Marilyn Kallet's interview with Lucille Clifton relates the personal strength that helped Clifton raise six children and publish her first book at the same time. This affirming collection offers a wealth of writing advice, given through honest accounts of perseverance and accomplishment.

Women Writers and the Art of Survival

Sleeping with One Eye Open

Patricia Clark

Encompassing several genres of literary composition, this up-beat, multi-cultural anthology provides an integrated curriculum of contemporary American women writers from diverse backgrounds whose works have recently emerged or made an impact on American literature in the last several decades. Juxtaposing the works of emerging writers with those of American classics, this book comes organized into eight thematic sections - language, family, and multicultural histories, transformation, music/spirituality, work, love, and happiness. It includes a variety of genres in each section - fiction, memoirs, essays, poetry, drama - moving from one to another with ease and a sense of discovery. Presenting an original interview at the end of each section with a distinguished author, it provides clearly and concisely written headnotes for each section. Spanning a broad historical range, from Margaret Walker (1915) to the present day, it includes brief biographies for each author, along with contextual notes for each reading. For professors of American literature and/or women's studies; librarians.

Contemporary American Women Writers

Worlds in Our Words

([Gedichte, franz u engl.] Derniers poèmes d'amour). Last love poems

April L. Morgan

Teachers everywhere are confronted with a problem. Whether at a small liberal arts college, major research university, or some other institute of learning, instructors are continually challenged to create smart, effective pedagogical techniques in order to be efficient in the classroom.The Art of College Teaching is a first: twenty-eight insider essays about this process by distinguished and highly acclaimed teachers of note from across the curriculum—including eleven Carnegie national award winners—grouped here to uncover common values, approaches, and even debates among today’s educators.Rather than a “rulebook” for good teaching, Professors Marilyn Kallet and April Morgan have assembled a wide variety of practitioner lore—what successful teachers have learned to do well and what they’re still seeking to master. From the embarrassing to the inspirational, contributors take us inside their classrooms to explain the “light-bulb moments” that form the bases of their teaching philosophies, making this collection reader-friendly, often humorous, and very real.Contributors take up a broad range of subjects: setting boundaries with students; teaching as performance; the pros and cons of lecture versus “active” learning; gaining students’ respect and keeping it; creativity in the classroom; encouraging diversity; and many others. The interdisciplinary approach allows for a stimulating mix of voices and kinds of expertise, from “takes on teaching” by Nobel Prize Laureate James Buchanan to coaching strategies from champion ice-skating instructor Robert Unger.Theories about the “right” way to teach abound, but like any art, teaching isn’t easily defined by guidelines or prevailing wisdom. A narrative, experiential approach to one of our most rewarding and demanding disciplines, The Art of College Teaching is a book to be of use. It is a handbook of ideas that will empower new teachers and refresh those who have been in the trenches for years.

Marilyn Kallet

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