Mark A. Vieira

In the spring of 1934, Hollywood faced what the Los Angeles Times called "the most serious crisis of its history." The film capital was under siege by censorship advocates who launched a boycott, demanding that the film industry enforce the Production Code it had adopted in 1930. For nearly five years, defiant producers had cited artistic freedom and flouted the Code, which forbade vulgarity, profanity, nudity, excessive violence, illegal drugs, adultery, "sex perversion," "white slavery," racial mingling, "lustful kissing," and suggestive dancing. In July 1934, the controversial films were outlawed. Today they are called "pre-Code." Sin in Soft Focus showcases a scintillating era in film history and tells how filmmakers sidestepped the Code. Mark A. Vieira draws on extensive research, interviews, and correspondence in the Production Code Administration files to tell the engaging, suspenseful, and often humorous story of the struggle between Hollywood and its reformers, weaving history, politics, and film into a full-blooded narrative. Illustrated with 275 film stills, many of them rare, the book captures the stunning visual artistry of the era.

Pre-Code Hollywood

Sin in Soft Focus

Darrell Rooney

When Jean Harlow became the Blonde Bombshell, she was the first big-screen sex symbol and the mould for every famous fair-haired superstar who would emulate her. Renowned Harlow expert Darrell Rooney and Hollywood historian Mark Viera join forces to create beautiful - and remarkably accurate - portraits of Harlow's life. With more than 280 rare images, the authors not only make a case for Harlow as an Art Deco artifact, they also showcase the fabulous places where she lived, worked and played.

The Blonde Bombshell in the Glamour Capital, 1928-1937

Harlow in Hollywood

Turner Classic Movies

Filled with rare images and untold stories from filmmakers, exhibitors, and moviegoers, Forbidden Hollywood is the ultimate guide to a gloriously entertaining era when a lax code of censorship let sin rule the movies. Forbidden Hollywood is a history of "pre-Code" like none other: you will eavesdrop on production conferences, read nervous telegrams from executives to censors, and hear Americans argue about "immoral" movies. You will see decisions artfully wrought, so as to fool some of the people long enough to get films into theaters. You will read what theater managers thought of such craftiness, and hear from fans as they applauded creativity or condemned crassness. You will see how these films caused a grass-roots movement to gain control of Hollywood-and why they were "forbidden" for fifty years. The book spotlights the twenty-two films that led to the strict new Code of 1934, including Red-Headed Woman, Call Her Savage, and She Done Him Wrong. You'll see Paul Muni shoot a path to power in the original Scarface; Barbara Stanwyck climb the corporate ladder on her own terms in Baby Face; and misfits seek revenge in Freaks. More than 200 newly restored (and some never-before-published) photographs illustrate pivotal moments in the careers of Clara Bow, Joan Crawford, Norma Shearer, and Greta Garbo; and the pre-Code stardom of Claudette Colbert, Cary Grant, Marlene Dietrich, James Cagney, and Mae West. This is the definitive portrait of an unforgettable era in filmmaking.

When Sin Ruled the Movies

Forbidden Hollywood: The Pre-Code Era (1930-1934)

George Hurrell (1904–1992) was the creator of the Hollywood glamour portrait. Before his arrival, movie star portraits were “soft focus” and undistinguished, derivative of the Main Street USA portrait salon. The maverick artist instituted a sharp, dramatic look and captured movie stars of the most exalted era in Hollywood history with bold contrast and seductive poses. This lavishly illustrated book spans Hurrell's entire career, from his beginnings as a society photographer to his finale as the celebrity photographer who was himself a celebrity, a living legend. From 1929 to 1944 Hurrell was the “Rembrandt of Hollywood,” creating portraits of Marlene Dietrich, Norma Shearer, Bette Davis, Carole Lombard, and Joan Crawford that were a blend of the ethereal and the erotic. His photos of Jane Russell sulking in a haystack made the unknown girl a star—and without a film credit to her name. He immortalized leading males stars of the day from the Barrymores to Clark Gable to Gary Cooper. Latter photo shoots magnified the glamour of the likes of Warren Beatty and Sharon Stone. Through newly acquired photos and in-depth research, photographer and historian Mark A. Vieira, author of Hurrell's Hollywood Portraits, offers not only a wealth of new images but a compelling sequel to the story presented in his earlier book on Hurrell. Hurrell was himself a star—rich, famous, fulfilled. Then, at the height of his career, he suffered a vertiginous fall from grace. George Hurrell's Hollywood recounts, for the first time anywhere, Hurrell's return from the ashes—how movie-still collectors and art dealers pulled the elderly artist into a smoky half-world of theft and fraud; how his undiminished powers gave him a second career; and how his mercurial nature nearly destroyed it. The photographs that motivate this tale are luminous, powerful, and timeless. This book showcases more than four hundred, most of which have not been published since they were created. George Hurrell's Hollywood is the ultimate work on this trailblazing artist, a fabulous montage of fact and anecdote, light and shadow. The book includes a foreword by Hurrell's final camera subject, Sharon Stone. Some of George Hurrell's subjects: Mae West, Carole Lombard, Mary Pickford, Tyrone Power, Joan Crawford, Norma Shearer, Lon Chaney, Greta Garbo, Myrna Loy, William Powell, Bette Davis, Errol Flynn, Jean Harlow, Veronica Lake, Clark Gable, Marlene Dietrich, John Garfield, Humphrey Bogart, Gary Cooper, Fred Astaire, Rita Hayworth, Liza Minnelli, Natalie Wood, Bette Midler, Lily Tomlin, John Travolta, Farrah Fawcett, Diana Ross, Neil Diamond, Raquel Welch, Sharon Stone, Warren Beatty, and many more!

Glamour Portraits 1925-1992

George Hurrell's Hollywood

In the spring of 1934, Hollywood faced what the Los Angeles Times called "the most serious crisis of its history." The film capital was under siege by censorship advocates who launched a boycott, demanding that the film industry enforce the Production Code it had adopted in 1930. For nearly five years, defiant producers had cited artistic freedom and flouted the Code, which forbade vulgarity, profanity, nudity, excessive, illegal drugs, adultery, "sex perversion," "white slavery," racial mingling, "lustful kissing," and suggestive dancing. In July 1934, the controversial films were outlawed. Today they are called "pre-Code."

George Hurrell

During that time he photographed all of the greatest personalities, at Metro-Goldwyn-Mayer, Warner Brothers, and Columbia as well as independently.

Hurrell's Hollywood Portraits

An in-depth study of the remarkable career of Irving Thalberg draws on recently discovered interviews and production records, an unpublished memoir by Thalberg's wife, Norma Shearer, and an array of previously unseen images to examine the remarkable influence of Thalberg on the world of film, the studio system, and Hollywood during its golden era.

Irving Thalberg and the Rise of M-G-M

Hollywood Dreams Made Real

Hollywood in the 1920s sparkled with talent, confidence, and opportunity. Enter Irving Thalberg of Brooklyn, who survived childhood illness to run Universal Pictures at twenty; co-found Metro-Goldwyn-Mayer at twenty-four; and make stars of Lon Chaney, Norma Shearer, Greta Garbo, Joan Crawford, Clark Gable, and Jean Harlow. Known as Hollywood's "Boy Wonder," Thalberg created classics such as Ben-Hur, Tarzan the Ape Man, Grand Hotel, Freaks, Mutiny on the Bounty, and The Good Earth, but died tragically at thirty-seven. His place in the pantheon should have been assured, yet his films were not reissued for thirty years, spurring critics to question his legend and diminish his achievements. In this definitive biography, illustrated with rare photographs, Mark A. Vieira sets the record straight, using unpublished production files, financial records, and correspondence to confirm the genius of Thalberg's methods. In addition, this is the first Thalberg biography to utilize both his recorded conversations and the unpublished memoirs of his wife, Norma Shearer. Irving Thalberg is a compelling narrative of power and idealism, revealing for the first time the human being behind the legend.

Boy Wonder to Producer Prince

Irving Thalberg

You know film noir when you see it: the shadowed setting; the cynical detective; the femme fatale; and the twist of fate. Into the Dark captures this alluring genre with a cavalcade of compelling photographs and a guide to 82 of its best films. Into the Dark is the first book to tell the story of film noir in its own voice. Author Mark A. Vieira quotes the artists who made these movies and the journalists and critics who wrote about them, taking readers on a year-by-year tour of the exciting nights when movies like Double Indemnity, Mildred Pierce, and Sunset Boulevard were sprung on an unsuspecting public. For the first time, we hear the voices of film noir artists speak from the sets and offices of the studios, explaining the dark genre, even before it had a name. Those voices tell how the genre was born and how it thrived in an industry devoted to sweetness and light. Into the Dark is a ticket to a smoky, glamorous world. You enter a story conference with Raymond Chandler, visit the set of Laura, and watch Detour with a Midwest audience. This volume recreates the environment that spawned film noir. It also displays the wit and warmth of the genre's artists. Hedda Hopper reports on Citizen Kane, calling Orson Welles "Little Orson Annie." Lauren Bacall says she enjoys playing a bad girl in To Have and Have Not. Bosley Crowther calls Joan Crawford in Possessed a "ghost wailing for a demon lover beneath a waning moon." An Indiana exhibitor rates the classic Murder, My Sweet a "passable program picture." Illustrated by hundreds of rare still photographs, Into the Dark conveys the mystery, glamour, and irony that make film noir surpassingly popular. About TCM: Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.

Mark A. Vieira

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