Mark Haworth-Booth

“This is the most scholarly, accessible, and exciting writing on Lee Miller to date.” ---Anthony Penrose, Lee Miller Archives Lee Miller (1907--1977) was one of the most remarkable photographic artists of the 20th century. She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller’s major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller’s writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937. Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and ’40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dalí. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller’s startling images of the Dachau concentration camp are among the most powerful records of the Holocaust. Published in conjunction with the centenary of Miller’s birth, this beautifully designed and produced book is an essential survey of this fascinating woman’s life and career.

The Art of Lee Miller

Bruce Bernard

In this unique collection of works spanning the history of photography, Bernard includes the most famous images by the most famous names. The book accompanies a traveling exhibition of the collection that starts in London in fall 2002. 100 photos.

One Hundred Photographs

William Eggleston

Victoria and Albert Museum

Colour Photographs from the American South

Lee Miller (1907-77) was not only one of the great beauties of the 20th century but one of its most remarkable photographic artists. Miller was photographed constantly by her father Theodore and in the 1920s by outstanding New York photographers such as Arnold Genthe and Edward Steichen, while Georges Lepape drew her for a Vogue cover in 1927. Arriving in Paris in 1928, she became the apprentice, collaborator and muse of Man Ray and played a leading role in a masterpiece of Surrealist cinema, Jean Cocteau's The Blood of a Poet (1931). Lee Miller is unique in performing with brilliance on both sides of the camera. She conceived and exhibited many Surrealist-inspired photographs of haunting originality; she was a portraitist of genius and an inspired and daring war photographer. This definitive book brings together all the major vintage prints for the first time, including sensational works never published before, rare and revealing drawings and an extraordinary collage from 1937, as well as extracts from her writing. All aspects of Lee Miller's career are covered in detail, including Paris (1928-32), her New York studio (1932-4), the Egyptian period (1934-7) and travels in the late 1930s, her powerful war reportage, and finally her post-war portraiture.

"This is the most scholarly, accessible, and exciting writing on Lee Miller to date." ---Anthony Penrose, Lee Miller Archives Lee Miller (1907--1977) was one of the most remarkable photographic artists of the 20th century. She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller's major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller's writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937. Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and '40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dali. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller's startling images of the Dachau concentration camp are among the most powerful records of the Holocaust. Published in conjunction with the centenary of Miller's birth, this beautifully designed and produced book is an essential survey of this fascinating woman's life and career.

Bruce Davidson

England/Scotland 1960 offers a visionary insight into the very heart of English and Scottish cultures. Reflecting a postwar era in which the revolutions of the 1960s had hardly yet filtered into the mainstream, Davidson's photographs reveal countries driven by difference--the extremes of city and country life, of the landed gentry and the common people--and lucidly portrays the mood of these times in personal and provocative imagery that is as fresh today as it was in that time.

England/ Scotland, 1960

Lewis Carroll

Morton Norton Cohen

Harry Ransom Humanities Research Center

Roy Flukinger

A catalog of an exhibition held at the Harry Ransom Humanities Research Center.

A Centennial Celebration of Lewis Carroll, Photographer

Reflections in a Looking Glass

Don McCullin

Donald McCullin

Colin Jones

Timeless and beautiful, Grafters is a sympathetic tale of industrial post-war Britain. Its subjects are people who endure physical hardship with dignity - miners cramped and soaking against a two-foot coal seam, dockers waiting in gangs for work, shipbuilders unaware that they are labouring on the yard's last vessel, as well as ballet dancers wrought by the sweat and toil of rehearsal. Grafters is an elegiac poem about a time and a way of life that has passed and that we will never experience again. A study of manual labour and the working class from a bygone era, Grafters shows Jones's best work from the early 1960s and brings to light a photographer who is highly regarded by his peers, but little published.

Grafters

The subject of this book, which is the first to be devoted to a single photograph, is Camille Silvy's remarkable River Scene. Hailed as a masterpiece when it was first exhibited in France in 1859, the photograph is accompanied here by newly commissioned color photographs by noted photographer Stephen Shore. In a provocative essay, Haworth-Booth discusses the history of the photograph in the context of attitudes of the day toward photography and photographic exhibitions, outlines the influences on Silvy, and examines his eventual influence on others. This is the third book in the Getty Museum Studies on Art (GMSA) series.

River Scene, France

Camille Silvy

Camille-Léon-Louis Silvy

Life and work of the French photographer Camille Silvy (1834-1910).

Mark Haworth-Booth

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