Mark Poster

Jean Baudrillard

Mark Poster considers how new media&—from TiVO to digital file sharing&—affects society, and he traces its implications for cultural theory and progressive political change.

Culture and Politics in the Age of Digital Machines

Information Please

In Critical Theory and Poststructuralism Mark Poster enacts a dialogue between the French poststructuralists, especially Michel Foucault, and the tradition of critical social theory as developed by the Frankfurt School and by other Continental theorists such as Jean-Paul Sartre. These confrontations between poststructuralists who represent "postmodern" thought and theorists committed the "modern" project of the Enlightenment is, according to Poster, of urgent importance because of the failure of critical theory to sustain a convincing critique of today's radically changed social formation.

In Search of a Context

Critical Theory and Poststructuralism

Stanley Aronowitz

First Published in 2001. In this collection of essays and interviews, Mark Poster examines theoretical approaches and develops his own position on our information based society. He contends that new communications media disrupt and transfigure the way identities are constituted in cultural exchanges. He looks in detail at several aspects of what might be called "internet culture", including virtuality and democracy. Poster advocates an awareness of the Internet and other new forms of communication, calling for a mobilization to ensure accessibility to all and to configure technology into vehicles of open cultural creation. For example, nothing is pure about the Internet politically, he points out, and it remains an open question as to who will transform the potentiality of new communications media into determinate cultural configurations. This book explores the rupture and potentiality between the electronic self and the face-to-face self inherent in new forms of technology and media.

Information Subject

In this path-breaking work, Mark Poster highlights the nature of the newly emerging forms of social life, in the current era. The flexibility of language which the computer allows makes the written word less certain and less concrete. The result of these changes, Poster argues, is a new communication experience, an interaction between humankind and a new kind of reality. Poster discusses the addictive properties of television and arcade video games, as well as the surveillance possibilities which the new communication technologies offer the state. His wide-ranging analysis incorporates the new language-based theories of mathematics, philosophy and literature in Wiener, Derrida and Barthes, among others. This work is a major new contribution to the debate surrounding the future of electronically mediated-experiences.

Poststructuralism and Social Contexts

The Mode of Information

Spencer C. Olin

Rob Kling

Neither a city nor a traditional suburb, Orange County, California represents a striking example of a new kind of social formation. This multidisciplinary volume offers a cogent case study of the "postsuburban" phenomenon.

The Transformation of Orange County since World War II

Postsuburban California

This book examines the implications of new communication technologies in the light of the most recent work in social and cultural theory and argues that new developments in electronic media, such as the Internet and Virtual Reality, justify the designation of a "second media age".

The Second Media Age

Information Please advances the ongoing critical project of the media scholar Mark Poster: theorizing the social and cultural effects of electronically mediated information. In this book Poster conceptualizes a new relation of humans to information machines, a relation that avoids privileging either the human or the machine but instead focuses on the structures of their interactions. Synthesizing a broad range of critical theory, he explores how texts, images, and sounds are made different when they are mediated by information machines, how this difference affects individuals as well as social and political formations, and how it creates opportunities for progressive change. Poster’s critique develops through a series of lively studies. Analyzing the appearance of Sesame Street’s Bert next to Osama Bin Laden in a New York Times news photo, he examines the political repercussions of this Internet “hoax” as well as the unlimited opportunities that Internet technology presents for the appropriation and alteration of information. He considers the implications of open-source licensing agreements, online personas, the sudden rise of and interest in identity theft, peer-to-peer file sharing, and more. Focusing explicitly on theory, he reflects on the limitations of critical concepts developed before the emergence of new media, particularly globally networked digital communications, and he argues that, contrary to the assertions of Michael Hardt and Antonio Negri, new media do not necessarily reproduce neoimperialisms. Urging a rethinking of assumptions ingrained during the dominance of broadcast media, Poster charts new directions for work on politics and digital culture.

In What's the Matter with the Internet?, leading cultural theorist Mark Poster offers a sophisticated and astute assessment of the potential the new medium has to redefine culture and politics. Avoiding the mindless hype and meaningless jargon that has characterized much of the debate about the future of the Web, he details what truly distinguishes the Internet from other media and the implications these novel properties have for such vital issues as authorship, national identity and global citizenship, the fate of ethnicity and race, and democracy. Arguing that the Internet demands a social and cultural theory appropriate to the specific qualities of cyberspace, Poster reformulates the ideas of thinkers associated with our understanding of post-modern culture and the media (including Foucault, Deleuze, Heidegger, Baudrillard, and Derrida) to account for and illuminate the virtual world, paying particular attention to its political dimensions and the nature of identity. In this innovative analysis, Poster acknowledges that although the colonization of the Internet by corporations and governments does threaten to retard its capacity to bring about genuine change, the new medium is still capable of transforming both contemporary social practices and the way we see the world and ourselves.

What's the Matter with the Internet?

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Mark Poster

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