Mark Sabine

Although best known internationally for his 'allegorical' novels such as Blindness (1995), in his native Portugal, José Saramago remains most acclaimed for his earlier, richly poetic 'historical' novels. This new study of five of these works focuses on José Saramago's engagement with political and social philosophy from across Europe, so as to track his commitment to libertarian socialism in an era of neo-liberal economics and disillusion. Though deeply pessimistic about human being's capacity to deliver social justice, Saramago never abandons the progressive cause. Making use of insights from Gramsci, Walter Benjamin, and Marcuse, among others, this study argues that Saramago sought to engage his reader with a skeptical but vibrant utopianism: teaching us to abandon absolutes and embrace error as inevitable, and, indeed, even necessary. From this post-humanist perspective, humanity becomes understood as ongoing project rather than essence, challenging individuals to strive for self-knowledge and reinvention.

History, Utopia, and the Necessity of Error

José Saramago

Making use of insights from Gramsci, Walter Benjamin, and Marcuse, among others, Mark Sabine argues that Saramago sought to engage his reader with a skeptical but vibrant utopianism: teaching us to abandon absolutes and embrace error as inevitable, and, indeed, even necessary.

National University of Ireland, Maynooth. Department of Spanish

The Satiric Body in José Saramango's Memorial Do Convento

Shrinking the Leviathan Erection

Anna Klobucka

The multifaceted and labyrinthine oeuvre of the Portuguese poet Fernando Pessoa (1888–1935) is distinguished by having been written and published under more than seventy different names. These were not mere pseudonyms, but what Pessoa termed 'heteronyms,' fully realized identities possessed not only of wildly divergent writing styles and opinions, but also of detailed biographies. In many cases, their independent existences extended to their publication of letters and critical readings of each other's works (and those of Pessoa 'himself'). Long acclaimed in continental Europe and Latin America as a towering presence in literary modernism, Pessoa has more recently begun to receive the attention of an English-speaking public. Embodying Pessoa responds to this new growth of interest. The collection's twelve essays, preceded by a general introduction and grouped into four themed sections, apply a range of current interpretative models both to the more familiar canon of Pessoa's output, and to less familiar texts – in many cases only recently published. As a whole, this work diverges from traditional Pessoa criticism by testifying to the importance of corporeal physicality in his heteronymous experiment and to the prominence of representations of (gendered) sexuality in his work.

Corporeality, Gender, Sexuality

Embodying Pessoa

Adriana Alves de Paula Martins

Essays in Comparative Literature

In Dialogue with Saramago

Making use of insights from Gramsci, Walter Benjamin, and Marcuse, among others, this study argues that Saramago sought to engage his reader with a skeptical but vibrant utopianism: teaching us to abandon absolutes and embrace error as inevitable, and, indeed, even necessary.

Mark Sabine

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