Thomas Cole

Marlene Goldman

Kate de Medeiros

Providing a critical humanities approach to ageing, this book addresses new directions in age studies: the meaning and workings of "ageism" in the twenty-first century, the vexed relationship between age and disability studies, the meanings and experiences of "queer" aging; the fascinating, yet often elided work of age activists; and, finally, the challenges posed by AI and, more generally, transhumanism in the context of caring for an ageing population. Divided into four parts: Part I: What Does It Mean to Grow Old? Part II: Aging: Old Age and Disability Part III: Aging, Old Age, and Activism Part IV: Old Age and Humanistic Approaches to Care the volume provides an innovative, two-part structure that facilitates rather than merely encourages interdisciplinary collaboration across the humanities and social sciences. Each essay is thus followed by two short critical responses from disciplinary viewpoints that diverge from that of the essay’s author. Drawing on work from across the humanities - philosophy, fine arts, religion, and literature, this book will be a useful supplemental text for courses on age studies, sociology and gerontology at both undergraduate and graduate levels.

Forging Interdisciplinary Dialogues

Critical Humanities and Ageing

"Traditional apocalyptic narratives highlight the drama of a chosen elect. Contemporary Canadian fiction, however, typically portrays the apocalypse from the perspective of marginalized individuals barred from paradise, creating a distinctly anti-apocalyptic discourse. Rewriting Apocalypse in Canadian Fiction is the first book to explore the literary, psychological, political, and cultural repercussions of the apocalypse in the fiction of Timothy Findley, Michael Ondaatje, Margaret Atwood, Thomas King, and Joy Kogawa, Marlene Goldman traces the history of the apocalyptic literary tradition and its key motifs in close readings of these Canadian works, which challenge rather than embrace apocalypse's key features."--BOOK JACKET.

Rewriting Apocalypse in Canadian Fiction

Here's what to see and do, and where to eat, drink, shop, stay, and play in the "City of Angels"-from glitzy Hollywood to posh Beverly Hills, from Santa Monica's surf to Pasadena's parade, and beyond! An amalgam of mini cities connected by a web of freeways and boulevards, Los Angeles is at once classic and eccentric. In this indispensable city guide, ''Top Picks'' direct you to not-to-be-missed attractions. 10 maps detail favorite neighborhoods, and include an L.A. Metro Map.

Little Black Book of Los Angeles

An exploration into the darker aspects of contemporary Canadian fiction.

Haunting in Canadian Fiction

DisPossession

Rewriting Apocalypse in Contemporary Canadian Fiction is the first book to explore the literary, psychological, political, and cultural repercussions of the apocalypse in the fiction of Timothy Finley, Michael Ondaatje, Margaret Atwood, Thomas King, and Joy Kogawa. While writers from diverse nations have adopted and adapted the biblical narrative, these Canadian authors introduce particular twists to the familiar myth of the end. Goldman demonstrates that they share a marked concern with purgation of the non-elect, the loss experienced by the non-elect, and the traumatic impact of apocalyptic violence. She also analyzes Canadian apocalyptic accounts as crisis literature written in the context of the Cold War - written against the fear of total destruction.

Marlene Goldman

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