Marnie Fogg

Valerie Steele

This ambitious and fascinating book traces the history of fashion in every part of the world, from Greco-Roman woven-cloth clothing and the silk court dress of the Chinese Tang dynasty to contemporary sportswear designers and Japanese street culture. Organized chronologically, the book traces the evolution of fashion period by period and trend by trend, while detailed timelines provide historical and cultural context. Fashion: The Whole Story is indispensable for everyone who loves the line of a superb suit or knows the joy of wearing a great pair of shoes.

The Whole Story

Fashion

A sourcebook of 1960s fashion print – the apogee of fashion print – that will be the inspiration for designers for years to come. The creativity of the period is given full expression in this sourcebook of hundreds of designs that makes it an essential for contemporary design practitioners and students. The book contains exclusive illustrations and original artwork from designers as well as finished prints. Each short chapter introduction is followed by a range of illustrations with captions to give provenance and relevance. The prints are arranged in the chapters: • Art into Pop: fashion prints that saw the influence of Pop Art • Revivals and Reflections: Biba''s revival of 19th-century designs • Flower Power: floral designs, from Marimekko to Ken Scott • Lost in multicoloured hues, kaleidoscopic colours and psychedelia prints • Magical Mystery Tour: the influence of other cultures on print design

A Sourcebook

1960s Fashion Print

Numerous designers have pioneered cutting-edge garments and collections throughout the evolution of fashion. But all too often a lack of obvious fit or purpose has been mistaken for a lack of design sophistication. In an informed defence of innovative fashion, Why You Can Go Out Dressed Like That champions the improbable, the provocative, the uncomfortable and the seemingly ridiculous. Inspired by diverse sources, theories and concepts, as well as futuristic textiles and techniques, the book explores the groundbreaking work of designers who strive to extend the boundaries of their creativity. There are no fixed elements to the 100 designs featured in this book, which range from the cerebral conceptions of Comme des Garcons, to the augmented anatomies of Thierry Mugler and the exaggerated physicality of Thom Brownes broad-shouldered men. The garments do not have to fulfil a function, keep you warm, or increase sexual attraction, nor do they have to beguile or disarm. They do need to have impact at the time of creation and to prove influential in the longer term. Many original designs elicit the response: You cant go out dressed like that Marnie Fogg proves decisively that modern fashion is not as outrageous and unwearable as it may seem.

Modern Fashion Explained

Why You Can Go Out Dressed Like that

The art form of fashion illustration goes back to the beginning of the 20th century and today’s exponents are still benefiting from some of the styles, shapes and colours of fashion illustrators from decades ago. Whether they work with traditional pencils, crayons and watercolours or with a digital pen, fashion illustrators today will find inspiration from these stunning images. This volume collates the best fashion illustration that were captured in the pages of the iconic Harper’s Bazaar magazine from 1930 to 1970. The publication has been at the forefront of fashion since the 19th century and it is no surprise that it published the best work in this art form. From the mannered shapes of Leon Benigni of the 1930s to the looser outlines of the late 1960s, the book is a beautiful resource for all illustrators.

1930 to 1970

Fashion Illustration

The second volume in Prestel's Whole story series is a lavish, nicely priced, and authoritative book tracing the complete evolution of fashion, from togas to Tory Burch. It profiles fashion icons to show how one designer or style influences another, explains the impact of cultural and historical events on daily wear, and demonstrates how technical innovation can take fashion in new directions. Engaging, all-encompassing, and overflowing with illustrations, this is an indispensable resource for anyone who loves fashion.

This engaging and well-informed book demystifies and celebrates avant-garde clothing of the past century. Author Marnie Fogg explains how figures such as Vivienne Westwood, Alexander McQueen, Thierry Mugler, Elsa Schiaparelli, and Jean Paul Gaultier challenged convention and precedent in ways that have both provoked and influenced their successors. Stunning, colorful images of 100 groundbreaking garments accompany engaging and enlightening commentary that explores the reasons for designing clothing that might not really fit, provide warmth or coverage, or even make its wearers more attractive.

Why It Does Not Have to Fit

Presents over one thousand different fabric swatches from key designers, including Barbour, Bruce Oldfield, Marimekko, Paul Smith, and Basso and Brooke.

The Fashion Swatch Book

Through 100 groundbreaking dresses, The Dress traces the past and present influences and reinterpretations in clothing design. From the Victorian crinoline to Vivienne Westwood's mini-crini of 1985, from Herve Leger's 1985 bandage dress to Christopher Kane's 2006 neon version, each landmark dress gives examples of how fashion ideas have been reborn and referenced throughout time by designers. By making connections between designers and across decades, the book allows the reader to discover the breadth of influence in this field, the magic of inspired originality from fashion designers and an overview of fashion history. From beaded and bias-cut to frou-frou to corseted, Chanel to Yves Saint Laurent, laced to bustled, each dress tells a fashion story through anecdotes and analysis, with historic and cross-cultural references, beautiful imagery, and immaculate referencing.

The Dress

Presents a history of one hundred years of knitwear, looking at it's development in the early twentieth-century, the styles that have emerged, and the place of knitwear in popular culture.

Collecting and Wearing Designer Classics

Vintage Fashion Knitwear

Charting over 100 years of knitwear history, Vintage Fashion Knitwear is a visual journey of fashion knitwear from the introduction of fashion handknitting to the current technical innovations that enable the designer to push the boundaries of knitwear. Fascinating archive images, stunning fashion photography and specially commissioned photographs of period fashions showcase the most collectable and innovative pieces ever made. The book looks at the development of knitwear during the turn of the 20th century, then charts the influence of Modernism in the 1920s, the emergence of the iconic Chanel two piece cardigan suit and sportswear, the Art Deco 1930s, and the wartime 'make do and mend' designs of the 1940s. By the 1950s cashmere twin sets and beaded sweaters became the casual uniform for women, while 1960s Op Art and psychedelia led to 1970s arts and crafts influences, moving on to the luxury knits of the 1980s. Each decade ends with a 'key looks' feature showcasing all the important shapes, patterning and designs that defined the time period. Vintage Fashion Knitwear concludes with a final chapter on the 1990s to the present day, looking at the work that is sure to become collectables of the future, including offerings from Alexander McQueen, Bella Freud, Louise Goldin and Julien Macdonald.

Features artwork from the foremost fashion illustrators of the twentieth century, including Eric Fraser, Jean Cocteau, and Jane Bixby.

From Harper's Bazaar 1930-1970

Vintage Fashion Illustration

An essential sourcebook of prints from a key fashion decade. The 1950s was the decade when an analytical approach to design, with a lightness and freshness, combined with whimsical imagery and idiosyncratic subject matter. Showcasing hundreds of print designs, this book celebrates the heyday of postwar fashion design. From Lucienne Day and Robert Stewart to Maija Isola of Marimekko, the designs and influences of the print icons of the time are all covered. In addition to finished prints, the book contains exclusive illustrations and original artworks. The major themes of the period are explored, including: narrative and novelty; abstraction, exploring the distorted and attenuated forms used in print; artistic licence and the influence of contemporary art on fashion print; and finally kinetic prints that capture the influence of the era’s ‘mobiles, doodles and spasms’. Each short chapter introduction is followed by a range of illustrations with captions to give provenance and relevance, making this a unique sourcebook for contemporary designers and students.

1950s Fashion Print

A visual history of tea towel design, from the 1950s to today. Both practical and beautiful, the tea towel has over the last century established itself firmly as an essential piece of domestic design. This lavishly illustrated book explores 100 of the best tea towel designs from the 1950s to today. Featured are tea towels from well-known textile designers such as Lucienne Day, Emma Bridgewater, Pat Albeck, Cath Kidston, Orla Kiely and Angela Harding, as well as collectable tea towels from key retail stores such as Heal's and Selfridges. Together they showcase a rich visual history of textiles and homeware design of the last century. With full-page images and close-up details, The Art of The Tea Towel will appeal to those interested in both textile design and homeware.

Marnie Fogg

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