Martin Duffy

Daniel A. Schulke

The figure of the Witch has haunted the margins of religion and spirituality for thousands of years, as a figure of transgressive spiritual power, outlaw magic, and alluring sexuality. Equally pervasive is her presence in art, from ancient depictions in the near east, through the European Middle Ages, down to her present representations in occult subculture. WITCH-IKON gathers a selection of images of witches and their diabolical magic, emphasizing the range of artistic depictions that have helped coalesce this most powerful of modern supernatural icons. Numerous full color images are accompanied by several scholarly essays concerning the iconography of witchcraft and the images used to represent witches through time. Also included are numerous photographs from museum and private collections documenting occult artifacts used in witchcraft throughout diverse eras.

Witchcraft in Art and Artifact

Witch-ikon

This memoir tells the story of the first twenty-one years of my life, growing up and coming of age in the working class Dublin Corporation housing estate of Crumlin. Although humorous when telling my tale, the book also includes stories of abuse, death and loss. The chapters unfold from my unlikely birth – the youngest of fifteen children – to Crumlin life, the death of my brother Paddy in a London road accident and the abuse I suffered through a 'Christian' Brother at school. From a little boy priest in Blackrock College and then as an apprentice projectionist in the Kenilworth Cinema and a year as clapper/loader in Ardmore Studios. The story goes on through my difficult teenage years of alienation from my father and his death at the age of seventy, a month before my 21st birthday and a few months before my marrying my pregnant 18-year-old girlfriend. That marked the end of my life in 147, Leighlin Road and the start of my life as a married man and father-to-be. This book will be of interest to anyone of a Dublin/Irish heritage who will understand my journey. Back in my day emigration, particularly to England, was part of Irish life and that is reflected in my story. I am an experienced storyteller and now I am finally telling my own story of the years that formed the man I am today.

A Memoir

Leighlin Road

Duffy made his transition from film-editing to feature-film directing with this story based on his own childhood, and here he gives the full account of how he shaped the film--and how the film shaped him.

Martin Duffy

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