Martin Henig

Mr Martin Henig

Apart from Christianity and the Oriental Cults, religion in Roman Britain is often discussed as though it remained basically Celtic in belief and practice, under a thin veneer of Roman influence. Using a wide range of archaeological evidence, Dr Henig shows that the Roman element in religion was of much greater significance and that the natural Roman veneration for the gods found meaningful expression even in the formal rituals practised in the public temples of Britain.

Religion in Roman Britain

Anthony King

Grahame Soffe

Kate Adcock

This volume brings together a range of papers on buildings that have been categorised as ‘villas’, mainly in Roman Britain, from the Isle of Wight to Shropshire. It comprises the first such survey for almost half a century.

New Perspectives and Controversies

Villas, Sanctuaries and Settlement in the Romano-British Countryside

Dimitris Plantzos

The desire for things which are inspired by, imitate, or indeed are Greek, or Greco-Roman has been felt throughout history. The twenty contributions in this volume explore the presence and diffusion of what they term 'The Classical Taste' from the 5th century BC to the 20th century focusing on the methods and media through which this occurs.

Essays Dedicated to Gertrud Seidmann

Classicism to Neo-classicism

John McNeill

This dedicated volume of the Journal of the British Archaeological Association draws together ten papers which, collectively, explore something of the art and architecture, styles and uses, of the medieval cloister in England and Wales. Contributors consider the continental context, cloisters in English palaces, Benedictine and Augustinian cloister arcades in the 12th and 13th centuries, architecture and meaning in Cistercian east ranges, late medieval vaulted cloisters in the West Country, cloisters at the cathedrals of Old Sarum, Canterbury, and Lincoln, and assess the extent to which the cloister bosses at Norwich cathedral priory reflect contemporary religious politics. The volume also contains an extended consideration and gazetteer of all Cistercian cloisters in England and Wales.

The Medieval Cloister in England and Wales

With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia--particularly in the golden age of Late Antiquity--rivals that of other provinces and deserves comparison with the art of metropolitan Rome. The originality and breadth of Henig's study is shown by its systematic coverage, embracing both the major arts--stone and bronze statuary, wall-painting and mosaics--and such applied arts as jewelery-making, silversmithing, furniture design, figure pottery, figurines and appliques. The author explains how the various workshops were organized, the part played by patronage and the changes that occurred in the fourth century.

New in Paperback

The Art of Roman Britain

Pagan Gods and Shrines of the Roman Empire

Britain is traditionally considered to have been conquered by the Romans in AD43. In fact the intervention took place because an important faction of the Atrebates tribe under King Verica persuaded the Emperor Claudius to intervene against other Britons who had invaded its territory. Central southern Britain was liberated by a forced landing in Chichester harbour and thereafter remained largely free from the influence of the Roman army.

Culture & Politics in Roman Britain

The Heirs of King Verica

This is a controversial re-examination of historical and archaeological evidence in Roman Britain, which suggests that the impulse for political and cultural change came from the Britons—not the Romans.

Martin Henig

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