Mary Bryden

This is the first full-length study to explore the significance of animals in Samuel Beckett's prose, drama, and poetry. Bringing together an international array of Beckett specialists, the collection theorizes a broad spectrum of animal manifestations while focusing on the roles that distinct animal forms play within Beckett's work.

Beckett and Animals

Despite the ever-expanding body of Deleuzian scholarship, single volume has explored the religious dimensions of Delueze's writing. Now, Mary Bryden has assembled a team of international scholars to do just that. Their essays illustrate the ways in which Deleuzian thought is antithetical to religious debate, as well as the ways in which it contributes to those debates. This volume will be invaluable for researchers, teachers and students of theology, philosophy, critical theory, cultural studies and literary criticism as well as to students of French who read Deleuze's work in its original language.

Deleuze and Religion

This book is a study of the evolving role of women throughout Beckett's work. Beckett's early writing is structured upon very sharply defined gender polaritiesóobjects of alarm, lust, derision, or indifference. Beckett's shift from fiction to stage and media dramaógiving a voice to womenóunsettles this adversarial structure. In later prose and drama, gender qualifies Beckett's people for neither fear nor favor. Mary Bryden's analysis drawing on the insights of such French writers as Deleuze and Guattari, and Helene Cixous, traces how gender dualisms are undermined over the course of Beckett's writing career. She examines the status of sexual indeterminacy in Beckett's work, and concludes with a remarkable case study: that of the mother figure, whose profile alters from dread to tenderness. The book embraces not only Beckett's published prose and drama, but also a number of unpublished and draft manuscripts from Reading University's Beckett Archive. Women in Samuel Beckett's Prose and Drama, will be of great interest to Literary Studies courses in both French and English departments, and Women's Studies courses. Contents: Introduction; Space Invaders: Women of the Early Fiction; Beckett and Deleuze: Gender in Process; Undoing the "Not": Women of the Early Drama; "No Better than Shades No Worse": Women of the Later Drama; Nomad Selves: Women of the Later Prose; Otherhood/Motherhood/Smotherhood: The Mother in Beckett's Writing; Conclusion; Bibliography; Index.

Mary Bryden

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