Mary Eleanor Wilkins Freeman

And Other Stories

A New England Nun

Edith Nesbit

When newlyweds find the cottage of their dreams in the English countryside, they are warned that long-ago owners, two evil knights, always return on Halloween night.

Man-size in Marble

The Revolt of Mother

El viento en el rosal y otras historias de lo sobrenatural

Luella Miller By Mary Eleanor Wilkins Freeman We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Luella Miller

From "A New England Nun": It was late in the afternoon, and the light was waning. There was a difference in the look of the tree shadows out in the yard. Somewhere in the distance cows were lowing and a little bell was tinkling; now and then a farm-wagon tilted by, and the dust flew; some blue-shirted laborers with shovels over their shoulders plodded past; little swarms of flies were dancing up and down before the peoples' faces in the soft air. There seemed to be a gentle stir arising over everything for the mere sake of subsidence -- a very premonition of rest and hush and night. This soft diurnal commotion was over Louisa Ellis also. She had been peacefully sewing at her sitting room window all the afternoon. Now she quilted her needle carefully into her work, which she folded precisely, and laid in a basket with her thimble and thread and scissors. Louisa Ellis could not remember that ever in her life she had mislaid one of these little feminine appurtenances, which had become, from long use and constant association, a very part of her personality. * Also includes "A New England Nun," "A Village Singer," "A Gala Dress," "The Twelfth Guest," "Sister Liddy," "Calla-Lilies and Hannah," "A Wayfaring Couple," "A Poetess," "Christmas Jenny," "A Pot of Gold," "The Scent of the Roses," "A Solitary," "A Gentle Ghost," "A Discovered Pearl," "A Village Lear," "Amanda and Love," "Up Primrose Hill," "A Stolen Christmas," "Life-Everlastin'," "An Innocent Gamester," "Louisa," "A Church Mouse," "A Kitchen Colonel," "The Revolt of 'Mother.'"

A New England Nun and Other Stories

In 'The Copy-Cat, and Other Stories,' Mary Eleanor Wilkins Freeman presents a compelling collection of tales that explore the nuanced intricacies of rural New England life in the late 19th century. With her distinctive literary style, Freeman employs rich, descriptive language and keen psychological insight to illuminate the complexities of her characters' lives. Through themes of identity, gender relations, and societal expectations, the stories reflect both the personal experiences of individuals and the broader cultural context of American society during a time of significant change. Freeman's deft handling of local dialects and settings adds authenticity to her narratives, drawing readers into the world she depicts. Mary Eleanor Wilkins Freeman was an influential writer and a prominent figure in American regionalism. Born in 1852 in Massachusetts, her upbringing in a small town provided her with firsthand experience of the social constraints and intimate relationships that characterize her work. She often drew upon her own experiences of isolation and challenge, reflecting the sentiments of many women of her era. Freeman'Äôs dedication to portraying the lives of ordinary people and their struggles is evident throughout this collection, positioning her as a significant voice in literature. I highly recommend 'The Copy-Cat, and Other Stories' to readers who appreciate finely crafted narratives that delve into the human condition. Freeman's acute observations and poignant storytelling will resonate with those interested in regional literature, especially as it pertains to women's experiences. This collection not only provides a rich historical perspective but also invites contemporary readers to reflect on enduring themes of identity and belonging.

Mary Eleanor Wilkins Freeman

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