Christopher Gill

Mary Margaret McCabe

Why did Plato put his philosophical arguments into dialogues, rather than presenting them in a plain and readily understandable fashion? In writing rich tales of philosophical encounters, does Plato desert clarity in favour of seducing his readers with fine words, or is there a philosophicalreason behind the form of his argument? While recent work has focused on the literary brilliance of the early dialogues, the late dialogues present a particular problem: they lack the vivid literary character of Plato's earlier works, and the dialogue structure seems to be a mere formality. Is therea philosophical reason why Plato's late works are in the form of dialogues? In this volume, a group of internationally prominent scholars address that question. Their answers are fresh, varied, and powerfully argued. This volume offers both a series of first-class essays on major late Platonic dialogues and a discussion which has important implications for the study of philosophical method and the relation between philosophy and literature. It shows that the literary form and modes of dialectic of the latedialogues are richly rewarding to study, and that doing so is of deep importance for Plato's philosophical project.

Form and Argument in Late Plato

M. M. McCabe presents a selection of her essays which explore the ways in which the Platonic method of conversation may inform how we understand both the Platonic dialogues and the work of his predecessors and his successors. The centrality of conversation to philosophical method is taken here to account both for how we should read the ancients and for the connections between argument, knowledge, and virtue in the texts in question. The book argues that we should attend, consequently, to the reflective dimension of reading and thought; and that this reflection explains both how we should think about the conditions for perception and knowledge, and how those conditions, in turn, inform the theories of value of both Plato and Aristotle.

Mary Margaret McCabe

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