Holly Furneaux

Matilda Greig

While the 1914 Christmas truces have a mythological status in British culture, intimate interactions with the enemy are, this interdisciplinary edited collection shows, a staple of modern warfare. Spanning multiple conflicts around the world, from the nineteenth century to the present Russia/Ukraine war, the chapters consider how fellow-feeling with the enemy during war has been both fueled and limited by constellations of class, gender, nationality, race, religion, sexuality, and shared experience. Scrutinizing asymmetries of power in enemy encounters, the instability of divisions between allies and enemies, and the heterogeneity of experiences within one army or side, contributors to this book confront a central question: how far is thinking of the enemy as an ‘equal’ in some way a precondition for non-violent interactions with them in war? In some cases, the ease of fraternization and reciprocity between the lines raises questions about the necessity of a clear feeling of enmity for fighting to continue, while in others, exclusionary attitudes based on racial or colonial hierarchies or the criminality of irregular warfare result in extreme violence and differential valuations of enemy lives.

Enemy Encounters in Modern Warfare

Dead Men Telling Tales is an original account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focusing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808-1814), Matilda Greig charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, she challenges assumptions made by historians about the reliability of these soldiers' direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, Greig also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. Her findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern 'soldier's tale'.

Matilda Greig

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