Matthieu Boyd

K. Sarah-Jane Murray

First English translation of one of the most influential French poems of the Middle Ages. The anonymous Ovide moralisé (Moralized Ovid), composed in France in the fourteenth century, retells and explicates Ovid's Metamorphoses, with generous helpings of related texts, for a Christian audience. Working from the premise that everything in the universe, including the pagan authors of Graeco-Roman Antiquity, is part of God's plan and expresses God's truth even without knowing it, the Ovide moralisé is a massive and influential work of synthesis and creativity, a remarkable window into a certain kind of medieval thinking. It is of major importance across time and across many disciplines, including literature, philosophy, theology, and art history. This volume offers an English translation of this hugely significant text - the first into any modern language. Based on the only complete edition to date, that by Cornelis de Boer and others completed in 1938, it also reflects more recent editions and numerous manuscripts. The translation is accompanied by a substantial introduction, situating the Ovide moralisé in terms of the reception of Ovid, the mythographical tradition, and its medieval French religious and intellectual milieu. Notes discuss textual problems and sources, and relate the text to key issues in the thought of theologians such as Bonaventure and Aquinas.

An English Translation [3 Volume Set]

The Medieval French Ovide Moralisé

Diana Luft

Hugh Fogarty

Aled Llion Jones

Benjamin Bruch

Charlene Shipman Eska

Katharine Olson

Kathryn Izzo

The Harvard Celtic Colloquium was established in 1980 by two graduate students in the Harvard University Department of Celtic Languages and Literatures as a forum in which graduate students could share their work and gain experience in professional academia. Since then, it has been organized annually by a team of students in the department, grown in size, and gained an international reputation which annually draws a diverse mix of scholars from around the world to present papers on all facets of Celtic Studies. The Harvard Celtic Colloquium is the only conference in the field of Celtic Studies to be wholly organized and run by graduate students. Since its inception, established and internationally-renowned scholars in Celtic as well as graduate students, junior academics, and unaffiliated scholars have been drawn to this dynamic setting, presenting papers on ancient, medieval, and modern topics in the many disciplines relating to Celtic Studies; including literature, linguistics, art, archeology, government, economics, music, and history. Papers given at the Colloquium may be submitted for review to the organizers of the conference, who become the editors for those papers selected for publication in the Proceedings of the Harvard Celtic Colloquium. Only papers presented at the annual conference are considered for publication. Harvard University Press is proud to announce that we will distribute the Proceedings of the Harvard Celtic Colloquium. Two new issues are available this Fall: Volume 18/19 (1998 and 1999) and Volume 20/21 (2000 and 2001). Back issues are also available.

Proceedings of the Harvard Celtic Colloquium, 20/21: 2000 And 2001

Tomas O Cathasaigh

Coire Sois, The Cauldron of Knowledge: A Companion to Early Irish Saga offers thirty-one previously published essays by Tomás Ó Cathasaigh, which together constitute a magisterial survey of early Irish narrative literature in the vernacular. Ó Cathasaigh has been called ?the father of early Irish literary criticism,” with writings among the most influential in the field. He pioneered the analysis of the classic early Irish tales as literary texts, a breakthrough at a time when they were valued mainly as repositories of grammatical forms, historical data, and mythological debris. All four of the Mythological, Ulster, King, and Finn Cycles are represented here in readings of richness, complexity, and sophistication, supported by absolute philological rigor and yet easy for the non-specialist to follow. The book covers key terms, important characters, recurring themes, rhetorical strategies, and the narrative logic of this literature. It also surveys the work of the many others whose explorations were launched by Ó Cathasaigh's first encounters with the literature. As the most authoritative single volume on the essential texts and themes of early Irish saga, this collection will be an indispensable resource for established scholars, and an ideal introduction for newcomers to one of the richest and most under-studied literatures of medieval Europe. ?Tomás Ó Cathasaigh is that rare scholar in Celtic studies whose work has much to say not only to advanced scholars in the field but also to specialists dealing with other literatures, comparative mythologists, and undergraduates. Our understanding of medieval Irish epic and saga is immeasurably enriched by his elegant writing style, his erudition, and his wide-ranging critical eye. It is indeed a bounteous blessing, then, to have collected in this volume Ó Cathasaigh's best, most representative, and most useful work.” ?Joseph Nagy, University of California, Los Angeles "A turning-point in Celtic studies occurred in 1981 when Tomás Ó Cathasaigh began a series of thematic studies of Irish sagas, starting with ?The Theme of Lommrad.' Now, three decades later, his ground-breaking collection of essays has been gathered together in a book. The student experience has been transformed. No essay or article on Irish sagas can be written without consulting Professor Ó Cathasaigh's close readings. We are all in debt to him, Matthieu Boyd, and the University of Notre Dame Press." ?Patrick Sims-Williams, Aberystwyth University, Wales "Tomás Ó Cathasaigh has long been known for his sensitive and superbly nuanced readings of early Irish literature. This impeccably edited collection brings together his most important articles of the past thirty years, many of which appeared originally in anthologies and periodicals not always easy to find outside Ireland. Ó Cathasaigh's deep learning and profound insights are evident on every page. This is truly a 'must-have' book both for specialists in Celtic and for all medievalists interested in vernacular culture and the intersection of native and Latin traditions." ?Robin Stacey, University of Washington "To read Tomás Ó Cathasaigh's essays gathered and ordered in this splendid volume is to explore the web of early Irish literature with a learned and witty guide. Each chapter stops at a particular point in the early Irish literary record, but the light that Ó Cathasaigh sheds on each text or theme illumines the entirety of the landscape. His close attention to the nuances of language and his finely tuned sense of social relationships in medieval Ireland are but two of the qualities that make Ó Cathasaigh perhaps the most skilled reader that early Irish literature has ever had. Coire Sois will be an indispensable vade mec

A Companion to Early Irish Saga

Coire Sois, The Cauldron of Knowledge

Matthieu Boyd

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