Richard Bullock

Francine Weinberg

Maureen Daly Goggin

The best-selling, most flexible rhetoric--now with advice for reading and writing across disciplines

With Readings and Handbook

The Norton Field Guide to Writing

Beth Fowkes Tobin

Explored in this volume are women's material practices, which range from production within the fields of fine and decorative arts, including needlework and sculpture, to the bricoleur's re-use of natural and fabricated objects in such activities as fancy work, paper arts, and scrapbooking. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their production and manipulation of material artifacts.

Gendered Material Strategies

Women and Things, 1750-1950

Gerald Graff

Cathy Birkenstein

Michal Brody

Russel Durst

The Norton Field Guide to Writing with Readings, 5e + They Say / I Say, 4e + the Little Seagull Handbook, 3e

Richard Harvey Bullock

Flexible, easy to use, just enough detail--and the number-one best selling rhetoric.

Richard & Goggin Bullock (Maureen)

The Norton Field Guide to Writing with Readings

Examining the compelling and often poignant connection between women and the material culture of death, this collection looks at the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women's material practices are explored as well as women's affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead.

Women and the Material Culture of Death

THIS TITLE HAS BEEN UPDATED TO REFLECT THE 2016 MLA UPDATE. Flexible, easy to use, just enough detail--and the number-one best selling rhetoric.

With Readings

The Norton Field Guide to Writing with 2016 MLA Update

Andrea Feeser

The purpose of this essay collection is to recover color's complex and sometimes morally troubling past. By emphasising color's materiality, and how it was produced, exchanged and used, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts.

Maureen Daly Goggin

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