Ross Barrett

Melissa Renn

Harvard Art Museums

American Paintings at Harvard: Paintings, watercolors, pastels, and stained glass by artists born between 1826 and 1856

Adair Margo

Brendan M. Greeley, Jr.

Larry Decuers

Published in conjunction with the exhibition "Tom Lea, Life Magazine, and World War II" (organized by the Tom Lea Institute with the National Museum of the Pacific War and The National World War II Museum), this catalogue features eyewitness reporting, in pictures and words, by the American painter and writer Tom Lea (1907-2001). With scholarly essays by Adair Margo and Melissa Renn, the book traces Lea's journey from El Paso, Texas, to various theatres of war from 1941 to 1945. Lea traveled over 100,000 miles for Life, embedded with soldiers, sailors, airmen, and marines, whose experiences he depicted. Lea was the most celebrated of Life's World War II artist-correspondents, and his paintings appeared in more than ten issues, recording in full-color spreads the convoys in the North Atlantic; life aboard the aircraft carrier Hornet; Stilwell's command in China; the marine landing on Peleliu in the Pacific; and military heroes of World War II. The exhibition highlights twenty-six of the eighty-three paintings Lea completed for Life, now housed in the US Army Center of Military History at Fort Belvoir, Virginia.

Tom Lea, Life Magazine, and World War II

Theodore E. Stebbins

This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.

Volume 1: Paintings, Watercolors, and Pastels by Artists Born Before 1826

American Paintings at Harvard

Melissa Renn

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