Michael Butterworth

David Britton

John Coulthart

Kris Guidio

Reverbstorm

Lord Horror

The Science Fiction Classic - Based on an Idea by MICHAEL MOORCOCK

TIME OF THE HAWKLORDS

QUEENS OF DELIRIA

Deep at the Earth's Centre lay the Death Generator. Buried there from time immemorial by a long-dead race of aliens, it had at last been triggered into action... For among the ruins of London, surrounded by the survivors of the recent holocaust, Hawkwind rock, their music catalysing the attacking Death Ray - a lethal concoction of high energy that insinuates its way into the mind, tormenting every sense with demonic psychic visions. With the breakdown of the barriers between nightmare and reality, Hawkwind find themselves re-enacting the stages of a war that took place thousands of years before, in which they take the role of the Hawklords - the only potential saviours of the human race otherwise doomed to extermination in an apocalyptic battle between the forces of good and evil... Time of the Hawklords by Michael Butterworth (born 24 April 1947 in Manchester) - based on an idea by Michael Moorcock - was first published in 1976: an echo of New Wave SF, an incomparable psychedelic rock fantasy - and a definitive cult novel! Time of the Hawklords is published in a new edition by Apex-Verlag, reviewed by the author (and supplemented by a preface).

The science fiction classic - based on an idea by MICHAEL MOORCOCK

Earth had already been devastated by the Death Generator... Then the Red Queen meddled with the very laws of Time to advance her evil ambitions. She transmogrified the planet into a world stalked by decaying ghouls and policed by satanic Bulls, their amplifiers meting out the punishing music of Elton John. Only the Hawklords could save the remnants of Humanity... only the Hawklords could restore the forces of Good. Their sole ally Elric the Indecisive; their sole weapon their music; they fought to the death with their awesome enemies, the macabre Queens of Deliria... Queens Of Deliria by Michael Butterworth (born 24 April 1947 in Manchester) - based on an idea by Michael Moorcock - was first published in 1977: an echo of New Wave SF, an incomparable psychedelic rock fantasy - and a definitive cult novel! Queens Of Deliria is published in a new edition by Apex-Verlag, edited by the author (and supplemented by a new introduction written by Rick Evans).

Together, London tour guide Horace Bunbury and con man Thomas O'Leary scheme to pull off a heist involving the sale of the Albert Memorial to a rich Texan for five million dollars, until hired hit men outmatch the devious duo

The Five Million Dollar Prince

Keith Seward

Horror Panegyric begins with a penetrating essay by Keith Seward on the three Lord Horror novels produced by David Britton and Michael Butterworth, aka Savoy Books of Manchester, England. The first novel, Lord Horror, was the most recent work of literature after Last Exit to Brooklyn to be banned in England and obliged Britton to serve a term in Strangeways Prison. Savoy's "franchise of Lord Horror productions," Seward writes, "is provocative, original, visionary, and contains at least one outright masterpiece (Motherf*ckers). Young writers should be looking at it the same as they do Naked Lunch, i.e. as a work that shows them what the possibilities are in the hands of a master." "Lord Horror," Britton has said, "was so unique and radical, I expected to go to prison for it. I always thought that if you wrote a truly dangerous book -- something dangerous would happen to you. Which is one reason there are so few really dangerous books around. Publishers play at promoting dangerous books, whether they're Serpent's Tail or Penguin. All you get is a book vetted by committee, never anything radically imaginative or offensive that will take your f*cking head off. Ironically, I think it would do other authors a power of good if they had to account for their books by going to prison -- there are far too many bad books being published!" Following the essay are excerpts from the three difficult-to-find novels Lord Horror, Motherf*ckers: The Auschwitz of Oz, and Baptised in the Blood of Millions. Rounding out the volume is a timeline of Lord Horror productions that includes the novels, comic books, and recordings for which Savoy Books has earned its worldwide notoriety.

Horror Panegyric

Sport is a universal feature of global popular culture. It shapes our identities, affects our relationships, and defines our communities. It also influences our consumption habits, represents our cultures, and dramatizes our politics. In other words, sport is among the most prominent vehicles for communication available in daily life. Nevertheless, only recently has it begun to receive robust attention in the discipline of communication studies. The Handbook of Communication and Sport attends to the recent and rapid growth of scholarship in communication and media studies that features sport as a central site of inquiry. The book attempts to capture a full range of methods, theories, and topics that have come to define the subfield of "communication and sport" or "sports communication." It does so by emphasizing four primary features. First, it foregrounds "communication" as central to the study of sport. This emphasis helps to distinguish the book from collections in related disciplines such as sociology, and also points readers beyond media as the primary or only context for understanding the relationship between communication and sport. Thus, in addition to studies of media effects, mediatization, media framing, and more, readers will also engage with studies in interpersonal, intercultural, organizational, and rhetorical communication. Second, the handbook presents an array of methods, theories, and topics in the effort to chart a comprehensive landscape of communication and sport scholarship. Thus, readers will benefit from empirical, interpretive, and critical work, and they will also see studies drawing on varied texts and sites of inquiry. Third, the Handbook of Communication and Sport includes a broad range of scholars from around the world. It is therefore neither European nor North American in its primary focus. In addition, the book includes contributors from commonly under-represented regions in Asia, Africa, and South America. Fourth, the handbook aims to account for both historical trajectories and contemporary areas of interest. In this way, it covers the central topics, debates, and perspectives from the past and also suggests continued and emerging pathways for the future. Collectively, the Handbook of Communication and Sport aspires to provide scholars and students in communication and media studies with the most comprehensive assessment of the field available.

Communication and Sport

A firsthand account of the studio sessions for the fastest selling 12" single ever, 'Blue Monday', New Order's classic dance track, and Power, Corruption and Lies, their acclaimed second album. Compiled from the diary/journals of Michael Butterworth, the trusted friend of New Order who lived and worked with the band throughout the recording sessions. Three decades on, author Michael Butterworth breaks the silence to reveal exactly what went into the recording of this classic track, as well as the Power, Corruption and Lies album. Drawn from Butterworth's meticulous journal entries, Blue Monday provides a uniquely personal insight into the creative personalities of the band.

Michael Butterworth

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